Charles Anderson, Complex Reality, Calm Work Music, Deep Night Work's 'Concentration Through Orchestral Tunes' had a release date set for April 3, 2025. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Orchestra for Work Concentration". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Concentration Through Orchestral Tunes is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Concentration Through Orchestral Tunes by Charles Anderson, Complex Reality, Calm Work Music, Deep Night Work having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| March-Chagu-Chagu | Satoshi Yagisawa, Japan Maritime Self-Defense Force Band of Kure, Kenji Nozawa | D Minor | 4 | 7A | 121 BPM | ||
| Animation (Episode 1: Wabbit!) | Randall Standridge, Lodge Studio Wind Ensemble | B♭ Major | 7 | 6B | 177 BPM | ||
| Impresario | Otto M. Schwarz, Koninklijke Fanfare Kempenbloei Achel, Ivan Meylemans | B♭ Minor | 5 | 3A | 115 BPM | ||
| March of the Cobblers | The South Brisbane Federal Band | B♭ Major | 5 | 6B | 126 BPM | ||
| There's No Business Like Show Business (Annie Get Your Gun, Act 1) | Black Dyke Mills Band | E♭ Major | 2 | 5B | 145 BPM | ||
| Paris Montmartre | Toshio Mashima, Sinfonisches Jugendblasorchester Nordschwarzwald, Christian Pöndl | C Minor | 2 | 5A | 142 BPM | ||
| Gulliver's Travels - The Houyhnms - Land of the Horses - Bert Appermont | Harmonie De Charlesbourg, François Dorion | F Major | 3 | 7B | 80 BPM | ||
| Pavane in Blue | Ted Huggens, Koninklijke Militaire Kapel, Pierre Kuypers | A♭ Major | 4 | 4B | 125 BPM | ||
| Achnacarry | The Band of His Majesty's Royal Marines, Massed Bands of HM Royal Marines | D Major | 7 | 10B | 126 BPM | ||
| Concert Prelude | Philip Sparke, Byåsen Musikkorps, Magne Østlie Hjelmervik | F Major | 1 | 7B | 139 BPM | ||
| Suite from 'Hymn of the Highlands': I. Ardoss Castle | Koninklijke Biltse Harmonie | A♭ Major | 4 | 4B | 109 BPM | ||
| Eiger - A Journey to Summit | James Swearingen, Jugendblasorchester des Musikums Lungau, Peter Stiegler | G Minor | 2 | 6A | 126 BPM | ||
| Suite from 'Hymn of the Highlands': II. Alladale | Koninklijke Biltse Harmonie | F Major | 4 | 7B | 97 BPM | ||
| ザ・タイムズ I.現在 - 吹奏楽版 | Japan Maritime Self-Defense Force Band,Tokyo | A♭ Major | 2 | 4B | 133 BPM | ||
| The Unicorn, the Gorgon and the Manticore, or The 3 Sundays of a Poet: Second Sunday: Madrigal 5 (Chorus) | Gian Carlo Menotti, Betty Hodges, Jean Heisey, Hallie Nowland, Rosemarie Radman, Martha Reynolds, Eva Wolff, Nancy Hall, Mary Hensley, Anna Julia Hoyt, Carol Jones, Laurel Miller, Jan Ruetz, Lindsey Bergen, Charles Anderson, Frank Karian, Clifton Steere, | F♯ Major | 1 | 2B | 38 BPM | ||
| Sounding Joy | New York Staff Band | B♭ Major | 3 | 6B | 89 BPM | ||
| ROJO | CASSPIEL | B♭ Major | 2 | 6B | 86 BPM | ||
| Let's Radetzky | Musikkapelle Gabersdorf | A♭ Major | 8 | 4B | 120 BPM | ||
| And the Band Played On | The Regimental Band of the Coldstream Guards, Major Graham O. Jones | E♭ Major | 4 | 5B | 131 BPM | ||
| Castell Coch March | Cory Band | F Minor | 4 | 4A | 121 BPM | ||
| Choral and Rock Out | Ted Huggens, Abonyi Fúvósok 1., Krupincza László | E♭ Major | 3 | 5B | 116 BPM | ||
| Danzon No. 2 (Arr. O. Nickel) | Arturo Márquez, United States Air Force Band, Larry H. Lang | D Minor | 3 | 7A | 101 BPM | ||
| The Unicorn, the Gorgon and the Manticore, or The 3 Sundays of a Poet: Third Sunday: Madrigal 8 (Chorus) | Gian Carlo Menotti, Betty Hodges, Jean Heisey, Hallie Nowland, Rosemarie Radman, Martha Reynolds, Eva Wolff, Nancy Hall, Mary Hensley, Anna Julia Hoyt, Carol Jones, Laurel Miller, Jan Ruetz, Lindsey Bergen, Charles Anderson, Frank Karian, Clifton Steere, Lee Wade, Robert Yeager, Howard Kahl, Raymond Michalski, John Parella, Carols Sherman, Peter Sliker, Marvin Solley, Julius Baker, Harry Shulman, Walter Lewis, Loren Glickman, Theodore Weis, Charles McCracken, Stuart Sankey, Stanley Koor, Gloria Agostini, Thomas Schippers | C Major | 2 | 8B | 126 BPM | ||
| Bergwerk | Musikkapelle Fischen | F Major | 2 | 7B | 74 BPM | ||
| Mr. Sandman | Cory Band, Robert Childs | D♭ Major | 3 | 3B | 134 BPM |