Charijayac's 'Tamia' had a release date set for January 1, 1995. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The track order of this song in Charijayac's "Made In Ecuador - Sus Mejores Éxitos" album is number 3 out of 12. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Tamia's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tamia by Charijayac to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Otavaleño | Ynka Huasy | E Minor | 4 | 9A | 127 BPM | ||
| Wiracocha | Awatiñas | E Minor | 7 | 9A | 89 BPM | ||
| Coplas de Amor | Maya Andina | E Minor | 5 | 9A | 99 BPM | ||
| Kindipa Kusikui | Nicolas Losada | F Major | 5 | 7B | 154 BPM | ||
| Respuestas Encontradas | Orquesta Almas Perdidas | F Minor | 7 | 4A | 88 BPM | ||
| Quiaquenita | Los Koyas | G Major | 5 | 9B | 96 BPM | ||
| Contigo Hasta El Final | Mana Maymanda | G Minor | 8 | 6A | 113 BPM | ||
| Por una Cholita | Maya Andina | C Major | 4 | 8B | 101 BPM | ||
| Mariposita | Jayac | B Minor | 7 | 10A | 105 BPM | ||
| El Ultimo Tincu en París | Luis Rico | F Major | 3 | 7B | 143 BPM | ||
| Paloma | Jarawi | C Minor | 3 | 5A | 104 BPM | ||
| Flor de Mi Esperanza | MARKAKUNA | C Major | 5 | 8B | 103 BPM | ||
| Ñanpi | Alex Paza | G Major | 6 | 9B | 113 BPM | ||
| Pachamama | Rumillajta | E Minor | 2 | 9A | 150 BPM | ||
| Cometa de Luz | Uña Ramos | B Major | 4 | 1B | 174 BPM | ||
| Desde La Paz | Grupo Aymara | G Major | 3 | 9B | 84 BPM | ||
| Bancherito | Luis Humberto Gramal, Jose Segundo Gramal | E Minor | 8 | 9A | 106 BPM | ||
| Machanchika | Churay, Klever Chavez | D Major | 7 | 10B | 147 BPM | ||
| Sariri/Tinkuna | Sukay | G Major | 6 | 9B | 164 BPM | ||
| Cotacachi | Danilo Arroyo, Alex Paza | A Major | 5 | 11B | 155 BPM | ||
| Vivir Contigo | Carlos Palenque | A♭ Major | 7 | 4B | 95 BPM | ||
| La Cuyita | Echoes of the Andes | A Minor | 4 | 8A | 81 BPM | ||
| Waira | Henrri Muchavisoy | E Minor | 8 | 9A | 105 BPM | ||
| Under the Moon | SISAY | E Minor | 2 | 9A | 92 BPM | ||
| Churay | Churay | C Major | 8 | 8B | 156 BPM |