"Optician" by Fernando Velázquez had its release date on October 14, 2015. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 36 in Crimson Peak (Original Motion Picture Soundtrack) by Fernando Velázquez. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Optician is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Optician by Fernando Velázquez is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hare In The Woods | Mark Korven | F Major | 3 | 7B | 114 BPM | ||
| The Painting | Charlie Mole | G Major | 1 | 9B | 121 BPM | ||
| Chasse et mort de la princesse | Pierre Adenot | D♭ Major | 1 | 3B | 134 BPM | ||
| The Moribund Tree & The Toad | Javier Navarrete | C Minor | 2 | 5A | 88 BPM | ||
| Prelude for Halloween 2 | J. M. Quintana Cámara | E Minor | 0 | 9A | 98 BPM | ||
| Final Farewells | Rob Lane | A♭ Major | 1 | 4B | 133 BPM | ||
| Lucrezia | Bear McCreary | E Minor | 0 | 9A | 82 BPM | ||
| Entering the Crypt | Midnight Syndicate | D♭ Minor | 4 | 12A | 76 BPM | ||
| Village of the Lost | Sorastro | C Major | 1 | 8B | 72 BPM | ||
| The Worst Thing I Ever Did | Rachel Portman | E Minor | 0 | 9A | 165 BPM | ||
| Queensland | Jason Tai | G Minor | 2 | 6A | 65 BPM | ||
| The Air Is a Little Thick Isn't It | Arkadiusz Reikowski | D Major | 0 | 10B | 178 BPM | ||
| Reflectionless | Elemental SoundWorks | E♭ Major | 0 | 5B | 89 BPM | ||
| Abducted | Daniel Hart | F Minor | 3 | 4A | 66 BPM | ||
| Paper Shadows | Chad Lawson | F Minor | 0 | 4A | 180 BPM | ||
| Are We the Sum of Our Worst Moments | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| The Journey to Himmel Street | John Williams | C Minor | 0 | 5A | 131 BPM | ||
| Distant Lives (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E♭ Major | 0 | 5B | 55 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Magnificent, Isn't It (From "A Cure For Wellness" Soundtrack) | Benjamin Wallfisch | E Minor | 1 | 9A | 71 BPM | ||
| Dreams Shape the World | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Visions of Lucrezia (feat. Laura Haddock) | Bear McCreary, Laura Haddock | C Minor | 3 | 5A | 122 BPM | ||
| Who's To Blame | Rael Jones | D Major | 3 | 10B | 120 BPM | ||
| The Book | Fernando Velázquez | G Minor | 0 | 6A | 87 BPM | ||
| Windmill Song | Max Ablitzer | D Minor | 2 | 7A | 121 BPM |