"Buiten, Op. 65: VII. Volkswijze" by Julius Röntgen, Mark Anderson had its release date on February 1, 2015. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Röntgen: Piano Music Volume 1". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Buiten, Op. 65: VII. Volkswijze is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Buiten, Op. 65: VII. Volkswijze by Julius Röntgen, Mark Anderson having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rêverie, CD 76 - Excerpt | Claude Debussy, Steven Osborne | G Major | 1 | 9B | 71 BPM | ||
| Moments musicaux, D. 780: No. 3 in F Minor (Arr. Godowsky) | Franz Schubert, Stephen Hough | F♯ Minor | 0 | 11A | 89 BPM | ||
| Von Einem: String Quartet No. 1, Op. 45: II. Adagio molto | Alban Berg Quartett | E Major | 0 | 12B | 74 BPM | ||
| Tchaikovsky: Piano Trio in A Minor, Op. 50: II. (k) Variation X | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Lynn Harrell, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 178 BPM | ||
| Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: II. Andante | Franz Schubert, David Grimal, Valery Afanassiev | E♭ Major | 0 | 5B | 89 BPM | ||
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Der Fischer und das Milchmädchen: Overture | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 83 BPM | ||
| Tema con Variaciones para Orquesta, Op. 2: I. Tema Andante | Julián Carrillo, Orquesta Sinfónica de San Luis Potosí, José Miramontes Zapata | D Major | 1 | 10B | 102 BPM | ||
| 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied (Arr. for Violin and Piano by Amanda Maier) | Robert Schumann, Trio Ernest | D♭ Major | 0 | 3B | 87 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Producto de sus elecciones | Padre GainsCone | C Minor | 2 | 5A | 100 BPM | ||
| Mélodie-Elégie, Op. 10, No. 5 | Jules Massenet, Wolfgang Emanuel Schmidt | C Minor | 0 | 5A | 73 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | E Major | 0 | 12B | 74 BPM | ||
| Symphony No. 1, GMW 11: IIa. Kräftig bewegt, doch nicht zu schnel | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | B Minor | 1 | 10A | 68 BPM | ||
| Holocaust - In memoriam: II. To Victory | Maya Badian, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 73 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 1, Stick Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | ||
| Duerme duelo perpetuo | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 85 BPM | ||
| Smetana: 3 Poetic Polkas, Op. 8: No. 1 in E-Flat Major | Bedřich Smetana, András Schiff | A♭ Major | 1 | 4B | 107 BPM | ||
| Piano Trio No.1 in B flat, Op.99 D.898: 4. Rondo (Allegro vivace) | Franz Schubert, Beaux Arts Trio | F Major | 1 | 7B | 82 BPM | ||
| Shostakovich: Piano Quintet in G Minor, Op. 57: IV. Intermezzo. Lento | Dmitri Shostakovich, Borodin Quartet, Elisabeth Leonskaja | G Major | 1 | 9B | 90 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Trio for Clarinet, Cello and Piano: I. Allegro | Nino Rota, Roeland Hendrikx, Sébastien Walnier, Liebrecht Vanbeckevoort | E Major | 0 | 12B | 74 BPM | ||
| 6 Old Netherlandish Dances, Op. 46: No. 5, Bergerette, "Les Grand Douleurs" | Julius Röntgen, NDR Radiophilharmonie, David Porcelijn | F Major | 2 | 7B | 145 BPM |