Mansur Khan's 'হারিয়ে গেছে' had a release date set for September 15, 2025. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in মায়া, so we believe that "হারিয়ে গেছে" is a single. হারিয়ে গেছে is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of হারিয়ে গেছে by Mansur Khan is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bondhu Maya Jane | Shahin Rana | F♯ Major | 5 | 2B | 73 BPM | ||
| Ram Ram Chahiye | Medi Tuner | B♭ Minor | 8 | 3A | 94 BPM | ||
| Sanwala | Toshi, Farasat Anees, Awais Raza Nekokara, Hareem Rashid | A♭ Minor | 4 | 1A | 94 BPM | ||
| Ambe Maa Darshan Do | Rasika Melodies | B Major | 6 | 1B | 108 BPM | ||
| Harano Sukh | Mansur Khan | B♭ Minor | 5 | 3A | 117 BPM | ||
| Maa Nahi Saas Hoon Mein (Original Score) | Rahat Fateh Ali Khan | C Major | 6 | 8B | 160 BPM | ||
| Naray Baran 2.0 | Wajid Layaq | F Minor | 4 | 4A | 83 BPM | ||
| Tumi | Level Five | G Major | 1 | 9B | 176 BPM | ||
| Mere Banke Bihari | Rasika Melodies | C Major | 8 | 8B | 94 BPM | ||
| Dhoyar Shohor | Mansur Khan | B♭ Minor | 5 | 3A | 117 BPM | ||
| Probas Mane Mukhe Hasi Mone Jontrona | Adnan Kabir | A Minor | 5 | 8A | 83 BPM | ||
| Bhole Ka Deewana | Nikhil Verma | G Minor | 8 | 6A | 93 BPM | ||
| Har Dafa | Himanshi Khurana | D Major | 5 | 10B | 83 BPM | ||
| Nadi | Shireen | E♭ Major | 7 | 5B | 80 BPM | ||
| Hothat Tumi | Belal Khan | F♯ Minor | 4 | 11A | 80 BPM | ||
| Bulaave | Papon | D♭ Minor | 7 | 12A | 82 BPM | ||
| IK ARDAS | Saji Singh | D♭ Minor | 6 | 12A | 168 BPM | ||
| Ami Tomar Moner Vitor | Habib Wahid, Nancy | C Minor | 7 | 5A | 120 BPM | ||
| Anuvuti | Sahil Sanjan | E Major | 2 | 12B | 148 BPM | ||
| Boka Mon | Acoustic Dipankar | G Major | 6 | 9B | 92 BPM | ||
| Madho | Ravneet Singh | C Minor | 4 | 5A | 138 BPM | ||
| Hawa Eshey | Pritom Hasan | F♯ Minor | 5 | 11A | 130 BPM | ||
| Mehmaan | Ahmad Rubani | A♭ Minor | 5 | 1A | 104 BPM | ||
| Kar Jibone Bachi | Tanjib Sarowar, Tasnim Anika, KS Music | D♭ Major | 4 | 3B | 120 BPM | ||
| The End (Mashup) | Tanveer Evan | A Major | 2 | 11B | 88 BPM |