Ravindra Bijur's 'Om Kashiviswanathaym' had a release date set for December 5, 2011. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Om Kashiviswanathaym's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 55 in Divine Mantras And Shlokas by Anil Mohile. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Om Kashiviswanathaym's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Om Kashiviswanathaym by Ravindra Bijur is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shri Vasudev | Shree Swaminarayan Mandir Kalupur | B♭ Minor | 3 | 3A | 110 BPM | ||
| Bhagya Sooktham | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | D Major | 3 | 10B | 120 BPM | ||
| Deen Bandu Kripa Sindhu | Bhagwat Acharya Shri Venu Gopal Swamiji | D♭ Major | 1 | 3B | 135 BPM | ||
| Pranava Swaroopa Pahi Gajanana | Hariharan, Sumeet Tappoo | D♭ Minor | 3 | 12A | 108 BPM | ||
| Ram Ashtakam | Mangesh Borgaonkar | C Minor | 4 | 5A | 80 BPM | ||
| Saanson Ki Mala Mein | Rishi Nityapragya | D♭ Minor | 6 | 12A | 81 BPM | ||
| Shri Navkar Maha Mantra | Dipalee Somaiya Date | F Major | 1 | 7B | 91 BPM | ||
| Antapuri Bramha Praktale | Jitendra Abhyankar, Tejas Walhekar | E♭ Major | 6 | 5B | 160 BPM | ||
| Agni Sooktham | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | D Major | 3 | 10B | 124 BPM | ||
| Shri Hari Stotram - Jagajjalapalam Kachad Kanda Malam | Pushpalata Borekar, Janhavi Jagdale | C Major | 6 | 8B | 106 BPM | ||
| Shree Ram Ram Rameti | Raju Rao | D♭ Major | 2 | 3B | 88 BPM | ||
| Shree Siddha Mangal Stotra | Kamalakar Tapasvi | D♭ Major | 6 | 3B | 80 BPM | ||
| Vighnavinashak M | Ravindra Bijur | B♭ Major | 2 | 6B | 122 BPM | ||
| Panchshil | Surykirti | B♭ Major | 4 | 6B | 130 BPM | ||
| Adhyayam, Pt. 10 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 85 BPM | ||
| Siddha Kunjika Stotra Mantra | Shrikrishna Sawant | F Major | 2 | 7B | 143 BPM | ||
| Vishnukrit Ganesh Stotram | Chorus | A Major | 2 | 11B | 115 BPM | ||
| Rin Mochan Mangal Stotra | Tejaswini Ingale | F♯ Minor | 4 | 11A | 112 BPM | ||
| Sri Surya Ashtothram - Sathyanaama Sthothram | Ramu, N. S. Prakash, Ponduri | B♭ Major | 3 | 6B | 122 BPM | ||
| Yaha Vidhi Mangal Aarti | Arohi Anil Agarkar, Rageshree Anil Agarkar | D♭ Major | 4 | 3B | 95 BPM | ||
| Surya Stuti Marathi | Diksha Varose | B♭ Major | 3 | 6B | 102 BPM | ||
| Bhagavad Gita, Pt. 14 - Gunatraya Vibhaga Yoga | Pt. Ved Prakash Phondani | E♭ Major | 3 | 5B | 111 BPM | ||
| Chattari Mangalam | Dipalee Somaiya Date | F Minor | 1 | 4A | 133 BPM | ||
| Nile Aasman Pe | HARISH PAUL, Anthony Raj, PRECILLA, PASTOR PRASHANT, D.P. THAPA, Ravindra Bijur, Thomas Puthoor | D Major | 6 | 10B | 96 BPM | ||
| Swami Maruthi | Sri Ganapathy Sachchidananda Swamiji | F Major | 4 | 7B | 79 BPM |