Pal's ' "素直にどうぞ" was released on its scheduled release date, June 5, 1980. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 10 in Catch Me by Pal. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, 素直にどうぞ's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 素直にどうぞ by Pal is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 風になりたい | Yuko Kawamura | E Minor | 2 | 9A | 130 BPM | ||
| 不思議なピーチパイ | Mariya Takeuchi | B Minor | 8 | 10A | 127 BPM | ||
| あなたの空を翔びたい | Mariko Takahashi | G Major | 6 | 9B | 92 BPM | ||
| 時をかける少女 | 原田知世 | A Major | 5 | 11B | 132 BPM | ||
| 娘が嫁ぐ朝 | Kazuo Zaitsu | F Major | 6 | 7B | 142 BPM | ||
| アマリリス | Minayo Watanabe | A Minor | 7 | 8A | 129 BPM | ||
| マンハッタンブリッヂにたたずんで | NIAGARA TRIANGLE, Motoharu Sano | E Major | 8 | 12B | 134 BPM | ||
| Fun - Remastered 2018 | Yosui Inoue | F Major | 5 | 7B | 106 BPM | ||
| 青空のかけら | Yuki Saito | A Major | 7 | 11B | 103 BPM | ||
| ミッドナイト・コール | Pal | D Major | 5 | 10B | 79 BPM | ||
| グッド・バイ・マイ・ラブ | Ann Lewis | E♭ Major | 5 | 5B | 119 BPM | ||
| 花嫁 | Norihiko Hashida And Climax | A Major | 6 | 11B | 124 BPM | ||
| サルビアの花 | 本田 路津子 | G Major | 3 | 9B | 110 BPM | ||
| ふたり | ASKA | B♭ Major | 4 | 6B | 77 BPM | ||
| この道の果てまでも | Masaaki Sakai | E Major | 2 | 12B | 119 BPM | ||
| 噴水のある風景 | Pal | B Minor | 0 | 10A | 72 BPM | ||
| ダンスはうまく踊れない | 高樹澪 | A Minor | 1 | 8A | 80 BPM | ||
| 愛をよろしく | Yasuhiro Suzuki | A Minor | 4 | 8A | 107 BPM | ||
| 或る日突然 | Toi et Moi | D♭ Major | 2 | 3B | 106 BPM | ||
| ロンリー・ハート - Japanese Version | Creation | E Minor | 6 | 9A | 101 BPM | ||
| ワンダー・ブギ | Mako Ishino | G Major | 6 | 9B | 156 BPM | ||
| 愛への出発 | Hiromi Go | F Minor | 5 | 4A | 85 BPM | ||
| 青春貴族 | Masatoshi Nakamura | D♭ Major | 8 | 3B | 95 BPM | ||
| カリフォルニア・ウィンド | Pal | D♭ Minor | 7 | 12A | 117 BPM | ||
| メラニーの微笑み | 杉真理, 安部恭弘 | E♭ Major | 5 | 5B | 96 BPM |