"Good Morning Mirror" by Hans Zimmer had its release date on May 1, 2024. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Weather Man (Music from the Motion Picture)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Good Morning Mirror's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Good Morning Mirror by Hans Zimmer having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Fusion | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Jack's Dream | M83, Joseph Trapanese | A♭ Major | 0 | 4B | 74 BPM | ||
| Rush Orchestra Suite - Live | Hans Zimmer, Marie Spaemann, Amir-John Haddad, Snow Owl, Vienna Radio Symphony Orchestra, Martin Gellner | D Minor | 5 | 7A | 80 BPM | ||
| Adagio in D Minor (Orchestra Mix) | John Murphy | G Major | 6 | 9B | 120 BPM | ||
| Armstrong Cabin | Justin Hurwitz | G Minor | 2 | 6A | 116 BPM | ||
| Transformation (End Titles) | Hans Zimmer, David Fleming | D Major | 4 | 10B | 180 BPM | ||
| The Armstrongs | Justin Hurwitz | G Minor | 2 | 6A | 120 BPM | ||
| Elk Hunt | Trevor Jones | C Major | 5 | 8B | 193 BPM | ||
| No Time To Die Suite: Part 1 | Hans Zimmer, Steve Mazzaro, Mariko Muranaka, Alexios Anest, Odessa Orchestra & Friends, Gavin Greenaway | E Minor | 2 | 9A | 142 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Main Titles (You’ve Been Called Back to Top Gun) | Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe | D Major | 4 | 10B | 107 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Primavera | Ludovico Einaudi, Robert Ziegler, Royal Philharmonic Orchestra | C Minor | 2 | 5A | 142 BPM | ||
| Duel of the Fates (Reimagined) [From Star Wars Episode I: The Phantom Menace] | Daniel Ciurlizza | A Minor | 6 | 8A | 134 BPM | ||
| A New Beginning | Alexandre Desplat | E♭ Major | 0 | 5B | 116 BPM | ||
| Arrival of the Birds | The Cinematic Orchestra, London Metropolitan Orchestra | E♭ Minor | 1 | 2A | 130 BPM | ||
| Still In This Fight | Steven Price | F Minor | 5 | 4A | 130 BPM | ||
| StarWaves | M83, Anthony Gonzalez, Joseph Trapanese | A♭ Major | 2 | 4B | 99 BPM | ||
| Goodbye Brother | Ramin Djawadi | E♭ Major | 0 | 5B | 127 BPM | ||
| Why Do We Fall? | Hans Zimmer | D Minor | 4 | 7A | 103 BPM | ||
| Day One - Original Demo | Hans Zimmer | A Minor | 0 | 8A | 96 BPM | ||
| 528491 | Hans Zimmer | C Major | 3 | 8B | 98 BPM | ||
| The Ninth Legion | Atli Örvarsson | A Minor | 1 | 8A | 74 BPM |