"Aftermath" by Sam Watts had its release date on September 2, 2019. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sam Watts's "Haunted" album is number 10 out of 10. Aftermath is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aftermath by Sam Watts to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Something is Shifting | Joseph Trapanese, Max Davidoff-Grey, Jason Lazarus | G Major | 1 | 9B | 95 BPM | ||
| Lara Croft - The Adventure Continues | Pinar Toprak, Gerrit Wunder | C Major | 6 | 8B | 137 BPM | ||
| They Got Me | Clinton Shorter | D Major | 1 | 10B | 99 BPM | ||
| Sardinia | Atli Örvarsson | G Minor | 3 | 6A | 82 BPM | ||
| Kawaji - Their Own Justice | Takashi Ohmama, Kodo, György Gulyás Nagy, Budapest Art Orchestra, Bernhard Melbye Voss, Vienna Synchron Orchestra | G Major | 3 | 9B | 106 BPM | ||
| Sword Sparring | Ghostwriter | E Minor | 5 | 9A | 112 BPM | ||
| In This Shirt | Louie Ashley | C Major | 6 | 8B | 76 BPM | ||
| Hybrid Engine | Max H | A Minor | 6 | 8A | 158 BPM | ||
| To The Dollar | Clinton Shorter | D Major | 1 | 10B | 99 BPM | ||
| Enter Sandman | SHEL, Damned Anthem | A Major | 7 | 11B | 113 BPM | ||
| Sail the Sky | Rachel Sandy | D Major | 1 | 10B | 99 BPM | ||
| Leave It There | Siddhartha Khosla | F Minor | 0 | 4A | 171 BPM | ||
| Murder in Monaco | Nainita Desai | D Major | 1 | 10B | 99 BPM | ||
| Let The Games Begin | Glenn Herweijer, Ben Sumner, Jennifer Ann Keller, dreamchild | D♭ Major | 6 | 3B | 78 BPM | ||
| Finding The Bodies | Luke Richards | D Minor | 1 | 7A | 68 BPM | ||
| Gambling With Fate - Instrumental | Tommee Profitt | C Minor | 6 | 5A | 80 BPM | ||
| Finding The Path | Vincent Carlo | F♯ Minor | 5 | 11A | 150 BPM | ||
| Reality Dawns | Nicholas Harvey | A♭ Major | 4 | 4B | 177 BPM | ||
| The Round Table | Sam Watts | B♭ Major | 1 | 6B | 96 BPM | ||
| The Reckoning | David Buckley | F Minor | 4 | 4A | 74 BPM | ||
| TARDIS, For Short | Jack Dalton | C Major | 9 | 8B | 150 BPM | ||
| Evil Twins | Sam Watts | G Major | 1 | 9B | 77 BPM | ||
| The Chain | Lexxi Saal, NOCTURN | E Minor | 5 | 9A | 140 BPM | ||
| Doctor The Doctor | Segun Akinola | B Minor | 6 | 10A | 139 BPM | ||
| The Bridge - from "Dungeons & Dragons: The Queen's Cradle" | Maxime Hervé | G Major | 7 | 9B | 92 BPM |