"Oregon Redwoods" by Pierre-André Athané had its release date on April 25, 2014. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Oregon Redwoods's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Naturally". In this album, this song's track order is #11. In terms of popularity, Oregon Redwoods is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Oregon Redwoods by Pierre-André Athané having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pistacchio Boy | Camila Fawape | A Minor | 3 | 8A | 165 BPM | ||
| Grand-Fathers And Grand-Sons | Hélène Blazy | C Minor | 0 | 5A | 100 BPM | ||
| Trois Mélodies, Op. 7: No. 1, Après un rêve (Arr. for Flute and Harp by Sylvain Millepied and Maia Darme) | Sylvain Millepied, Maia Darme | A Minor | 0 | 8A | 90 BPM | ||
| Country Fair | John Hobson | C Minor | 3 | 5A | 170 BPM | ||
| Amoureux | Marie Baraton, Pierre-André Athané | E Minor | 2 | 9A | 88 BPM | ||
| John Hector McFarlane and His Mother (The Norwood Builder) | Gabrieli String Quartet Kenneth Sillito Leslie Pearson & Neil Black, John Yap | A Minor | 1 | 8A | 69 BPM | ||
| Per Una Cabeza | Guido Felizzi, Marco Lo Russo | A Minor | 3 | 8A | 75 BPM | ||
| Lluvia en el Bosque Encantado | Dj luis miguel | D Minor | 1 | 7A | 154 BPM | ||
| That's a good one - From The Surfer | Francois Tetaz | F♯ Minor | 3 | 11A | 128 BPM | ||
| Jo le méchant | Pablo Pico, Pierre-André Athané, Yan Volsy | G Major | 4 | 9B | 150 BPM | ||
| Inquietudine | Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | A Major | 5 | 11B | 144 BPM | ||
| Trouble Ahead | Laurent Dury | E Minor | 3 | 9A | 120 BPM | ||
| Une valse à la place d'un haïku I - 俳句の代わりのワルツ I | Umitaro Abe, BUN Imai, 大石俊太郎 | B♭ Minor | 3 | 3A | 180 BPM | ||
| Tradicional: Habanera del tamboril | Iñaki Alberdi | F Major | 0 | 7B | 93 BPM | ||
| Dénoués | Marie Baraton | G Minor | 5 | 6A | 78 BPM | ||
| Il passo del corvo | Andrea Montepaone | G Major | 3 | 9B | 74 BPM | ||
| Childrens | Pasquale Catalano, Marco D’amore | B♭ Minor | 3 | 3A | 180 BPM | ||
| Lights From the North | Punishing Gray Raven, Vanguard Sound, LCC | B♭ Minor | 3 | 3A | 180 BPM | ||
| Distorted Reflection: VII. Shadow | Bishara Khell, Amira Ishaq, Bishara Haroni, Carol Ibrahim, Eleni Ghassan Mustaklem, Hikmat Ata Qaymari, Hussein Abu Al-Rob, Jalal Nader Albess, Jude Al Qalawi, Luay Bishara, Mahmoud Karzon, Mahran Moreb, Mohammed Karzon, Muntaser Jabarini, Rashed Za'rour, | B♭ Minor | 6 | 3A | 149 BPM | ||
| Up to No Good | Alex Baranowski | F Major | 1 | 7B | 158 BPM | ||
| Promenade | Paul Aubry | G Major | 1 | 9B | 84 BPM | ||
| 魔物の棲む洞窟 | Sho Takahashi | B♭ Minor | 4 | 3A | 137 BPM | ||
| Hombres Como Yo | oronay | E♭ Major | 3 | 5B | 110 BPM | ||
| Femme fatale | André Charlier, Benoit Sourisse | A♭ Major | 4 | 4B | 118 BPM | ||
| Autumn Waltz | MaSssuguMusic | A Major | 3 | 11B | 174 BPM |