"Bomendocumentaire" by Puin+Hoop had its release date on November 13, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 6 in Door by Puin+Hoop. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Bomendocumentaire's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bomendocumentaire by Puin+Hoop is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Set the Control to the Heart of the Mother, Pt. 2 | Klaus Schulze, Pete Namlook | E♭ Minor | 3 | 2A | 94 BPM | ||
| Night Train Blues | Kid Baltan, Dick Raaijmakers | A♭ Major | 1 | 4B | 48 BPM | ||
| The Awful Majesty | Pye Corner Audio | G Major | 1 | 9B | 80 BPM | ||
| LAGEOS | Actress, London Contemporary Orchestra | A Minor | 6 | 8A | 85 BPM | ||
| Last Man Standing | Jesper Kyd | C Minor | 2 | 5A | 82 BPM | ||
| Bloody Escapade | Ockeroid | F Minor | 2 | 4A | 101 BPM | ||
| Meth House | Nick Cave & Warren Ellis | B♭ Minor | 8 | 3A | 110 BPM | ||
| Inherent to the Hill | Avith Ortega | D Major | 7 | 10B | 150 BPM | ||
| the snow where she disappeared | Willix | A♭ Minor | 1 | 1A | 89 BPM | ||
| Into the Endless Night | Drvg Cvltvre | C Major | 8 | 8B | 120 BPM | ||
| Circumscribed | Dronny Darko | A♭ Major | 1 | 4B | 120 BPM | ||
| 4am | 58918012 | B♭ Minor | 6 | 3A | 96 BPM | ||
| Healing Note | Hertz Wind | D Major | 4 | 10B | 92 BPM | ||
| There Will Always Be Love | Casino Versus Japan | F♯ Major | 2 | 2B | 94 BPM | ||
| Defensive Position | Tineidae, Access to Arasaka, Sole Massif | D Major | 1 | 10B | 51 BPM | ||
| Headlights | Tyler Bates, Chelsea Wolfe | A♭ Minor | 0 | 1A | 130 BPM | ||
| Crosstalk A | Kees Tazelaar | G Major | 8 | 9B | 141 BPM | ||
| leaves of stars | Paul Jebanasam | G Major | 3 | 9B | 77 BPM | ||
| Ambiente 6 Isterica | Alessandro Cortini | D Major | 6 | 10B | 104 BPM | ||
| De Voorzienigheid | René Uijlenhoet | A♭ Major | 5 | 4B | 118 BPM | ||
| BEAMS | Nobuhiro Okahashi | A♭ Major | 1 | 4B | 120 BPM | ||
| There's a Comma After Still | Low | G Major | 7 | 9B | 124 BPM | ||
| La Época | Makeup And Vanity Set | B♭ Major | 6 | 6B | 156 BPM | ||
| Newfound (Outtake) | Rutger Zuydervelt | B Minor | 1 | 10A | 80 BPM | ||
| KR-6200 | Carl Crack | G Major | 4 | 9B | 118 BPM |