Scott Nickoley, John K. Sands, Ryan Curry Franks, Marc Ferrari's ' "Aberrant" was released on its scheduled release date, April 1, 2021. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Aberrant's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in Epic Orchestral Hybrid, Vol. 2 by John K. Sands. In terms of popularity, Aberrant is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Aberrant by Scott Nickoley, John K. Sands, Ryan Curry Franks, Marc Ferrari is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Times Are Changing (from the Freevee Original Series Bosch: Legacy) | Built By Titan, Skybourne | C Major | 7 | 8B | 100 BPM | ||
| Some Kind of Hero | Scott Nickoley, Ryan Franks | F Major | 1 | 7B | 138 BPM | ||
| Havana at Night Drive | Allister Brimble | G Minor | 9 | 6A | 98 BPM | ||
| Shine | Ricky Fante | A Major | 7 | 11B | 106 BPM | ||
| 11, 12 & 13 | David Holmes | E Minor | 7 | 9A | 188 BPM | ||
| Billie Jean | Charles Berthoud | F♯ Minor | 8 | 11A | 120 BPM | ||
| Out For A Run | Michael Giacchino | D♭ Major | 7 | 3B | 76 BPM | ||
| The Resistance | H. Scott Salinas | G Major | 2 | 9B | 132 BPM | ||
| Undercover | Joey DeLuxe | F Major | 7 | 7B | 122 BPM | ||
| Used to Be | David Isaac Feldstein, Marc Ferrari, Scott Nickoley | A Minor | 8 | 8A | 120 BPM | ||
| Martini Lounge (As Heard In Call Me Kat) | David Sparkman, Jamie Dunlap, Scott Nickoley | C Major | 2 | 8B | 75 BPM | ||
| Second Hand Slide | Lucas Pittman | B♭ Minor | 9 | 3A | 110 BPM | ||
| Desiderata | Scott Nickoley, John K. Sands, Ryan Curry Franks, Marc Ferrari | F Minor | 8 | 4A | 150 BPM | ||
| Disco Star Trek: The Prime Directive is to Dance | WickedAI | E Minor | 6 | 9A | 113 BPM | ||
| Higher And Higher | Howard Huntsberry | G Major | 10 | 9B | 91 BPM | ||
| Sweet Revenge | Ronald Dunlap, Scott Nickoley | A Minor | 6 | 8A | 174 BPM | ||
| Psycho Shuffle | Deborah Dunlap, Scott Nickoley | D Major | 6 | 10B | 100 BPM | ||
| The Dallas Game | John Debney | D♭ Major | 6 | 3B | 111 BPM | ||
| The Claddah (as heard in American Outlaws) | Jamie Dunlap, Molly Pasutti, Scott Nickoley | E Major | 9 | 12B | 131 BPM | ||
| Space-Taxi | Stefan Raab, Spucky, Kork, Schrotty | D♭ Minor | 4 | 12A | 110 BPM | ||
| Leave Me Not | Karlos Edwards, Lincoln Jean Marie, Linslee Campbell, Luke Smith, Aaron Liddard, Paul Jordanous | A♭ Minor | 8 | 1A | 120 BPM | ||
| Never Say Never Again | Lani Hall | D Major | 9 | 10B | 144 BPM | ||
| Tidal Shallows | Scott Nickoley, John K. Sands, Ryan Curry Franks, Marc Ferrari | D♭ Major | 8 | 3B | 150 BPM | ||
| Not Their Fight | David Holmes | A Minor | 7 | 8A | 118 BPM | ||
| Ladies First | Éric Serra | B Major | 5 | 1B | 120 BPM |