"Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: II. Larghetto" by George Frideric Handel, Valérie Milot, Bernard Labadie had its release date on October 29, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Valérie Milot, Les Violons du Roy, Bernard Labadie's "Harp Concertos: Mozart - Handel - Boieldieu" album is number 2 out of 9. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: II. Larghetto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: II. Larghetto by George Frideric Handel, Valérie Milot, Bernard Labadie to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quantz: Flute Concerto in G Major, QV5:174: III. Presto | Johann Joachim Quantz, Emmanuel Pahud, Kammerakademie Potsdam, Trevor Pinnock | G Major | 2 | 9B | 129 BPM | ||
| Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Kolner Kammerorchester, Helmut Müller-Brühl | E Major | 1 | 12B | 78 BPM | ||
| Ciaccona, Op. 12 No. 20 | Tarquinio Merula, Tafelmusik Baroque Orchestra, Elisa Citterio | C Major | 1 | 8B | 113 BPM | ||
| Amphitryon, Z. 572: Minuet - Hornpipe - Boree | Henry Purcell, Les Musiciens De Saint-Julien, François Lazarevitch | D♭ Minor | 4 | 12A | 103 BPM | ||
| String Quintet in E Major, Op. 11, No. 5 (G. 275): III. Minuetto | Donald Sosin, Luigi Boccherini, Nora Shulman, Judy Loman | A Major | 0 | 11B | 89 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: I. Andante allegro | George Frideric Handel, Valérie Milot, Bernard Labadie | B♭ Major | 0 | 6B | 94 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
| Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": Adagio e staccato (from Organconcerto op.4,2, HWV 209) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska | C Minor | 2 | 5A | 138 BPM | ||
| Flute Concerto in G Major: I. Allegro non molto | Giuseppe Tartini, Per Oien, Norwegian Chamber Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berliner Barock Compagney | F♯ Major | 2 | 2B | 103 BPM | ||
| Harpsichord Sonata in A Major, P 893.06: II. Allegro "Toccata" (Arr. E. Netzer for Harp) | Pietro Domenico Paradisi, Elisa Netzer | A Major | 1 | 11B | 97 BPM | ||
| Handel: Harp Concerto in B-Flat Major, Op. 4 No. 6, HWV 294: I. Andante allegro | George Frideric Handel, Lily Laskine, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | B♭ Major | 2 | 6B | 92 BPM | ||
| Concerto in F Major, S. 234: I. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 61 BPM | ||
| Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Agrémens, Jean Tubéry | C Major | 2 | 8B | 86 BPM | ||
| Oboe Concerto in D Minor, Op. 9 No. 2: 2. Adagio | Diana Doherty | B♭ Major | 1 | 6B | 63 BPM | ||
| Trio Sonata in C Major, DürG 13: IV. Gigue. Presto | Johann Gottlieb Goldberg, Florilegium | G Major | 1 | 9B | 95 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Tema allegretto con gusto | Ernst Krähmer, Claudio Ferrarini | A♭ Minor | 1 | 1A | 61 BPM | ||
| Diverse bizzarrie sopra la vecchia sarabanda o pur Ciaccona | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 136 BPM | ||
| Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
| Notturno in F Major, P. 106: III. Adagio | Michael Haydn, German Chamber Academy Neuss, Johannes Goritzki | B♭ Major | 0 | 6B | 104 BPM | ||
| Symphony in A Major, J-C 62: IIIb. Allegro (alternative finale) | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Alison Balsom | D Major | 3 | 10B | 102 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |