"Love Makes The World Go Round, from 'La Ronde' / Der Reigen / La Ronde" by Oscar Straus, Vienna State Opera Orchestra, Reg Owen had its release date on 2009. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Two Hearts In Three-Quarter Time". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Love Makes The World Go Round, from 'La Ronde' / Der Reigen / La Ronde is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Love Makes The World Go Round, from 'La Ronde' / Der Reigen / La Ronde by Oscar Straus, Vienna State Opera Orchestra, Reg Owen having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roma, WD 37: IV. Allegro vivacissimo | Georges Bizet, Jean-Luc Tingaud, RTÉ National Symphony Orchestra | C Major | 1 | 8B | 172 BPM | ||
| Je ne suis pas ce que l'on pense (From "Les trois valses") | Oscar Straus, Amy Burton, John Musto | G Major | 1 | 9B | 104 BPM | ||
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
| Symphony No. 1, RO 255 "La nuit des tropiques": II. Allegro moderato | Louis Moreau Gottschalk, Vienna State Opera Orchestra, Igor Buketoff | G Major | 1 | 9B | 117 BPM | ||
| Bavarian Landler | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | F Major | 3 | 7B | 150 BPM | ||
| Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 78 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun sei bedankt, mein lieber Schwan" (Lohengrin, Henry, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, René Pape, Staatskapelle Berlin | B♭ Major | 2 | 6B | 130 BPM | ||
| In mir klingt ein Lied | Anneliese Rothenberger | E Major | 2 | 12B | 189 BPM | ||
| Sylvia: Intermezzo and Slow Waltz | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D♭ Major | 0 | 3B | 73 BPM | ||
| Serenade for String Orchestra in G Minor, Op. 35: V. Alla marcia. Finale | Oscar Straus, Oliver Triendl, Deutsche Radio Philharmonie Saarbrücken und Kaiserslautern, Ernst Theis | C Minor | 4 | 5A | 110 BPM | ||
| Frau Luna: Ouvertüre | Paul Lincke, Hamburger Rundfunkorchester, Wilhelm Stephan | A Major | 4 | 11B | 75 BPM | ||
| Metamarphosed Princess / Toujours l'amour reprise - The Smiling Lieutenant, 1931 | Maurice Chevalier, Oscar Straus | D Minor | 3 | 7A | 83 BPM | ||
| Aida, Act II: Dance of the Moorish Slaves - Vieni, sul crin ti piovano | Giuseppe Verdi, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
| Wagner: Tannhäuser, Act 2: "Freudig begrüssen wir die edlen Halle" (Ritter, Grafen, Edelfrauen, Edelknaben) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | B Major | 3 | 1B | 140 BPM | ||
| Kálmán: "Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
| Ein Walzertraum: "Da draussen im duftigen Garten" | Oscar Straus, Grosses Operetten Orchester, Franz Marszalek, Sandor Konya | F Major | 3 | 7B | 72 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 12 in D Minor (Arr. for Orchestra by Albert Parlow) | Johannes Brahms, Munich Radio Orchestra, Roberto Abbado | E Major | 4 | 12B | 121 BPM | ||
| Cinderella, Op. 87: Act I: No. 2. Shawl Dance - Allegretto | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | A Major | 2 | 11B | 75 BPM | ||
| Piano Concerto in B Minor: II. Lento assai | Oscar Straus, Oliver Triendl, Deutsche Radio Philharmonie Saarbrücken und Kaiserslautern, Ernst Theis | G Major | 0 | 9B | 68 BPM | ||
| In lauschiger Nacht, Op. 488 | Carl Michael Ziehrer, Robert Stolz | E♭ Major | 2 | 5B | 180 BPM | ||
| Ein Walzertraum: Ich hab mit Freuden angehört... Alles was fesch und keck ist (A Waltz Dream / Rêve de valse) | Oscar Straus, Felix Dörmann, Leopold Jacobson, Johannes Kalpers, Janacek-Philharmonie Ostrava, Jirí Malát | D Major | 2 | 10B | 93 BPM | ||
| Wagner: Tannhäuser, Act 2: Einzug der Gäste | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | F Minor | 4 | 4A | 130 BPM | ||
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
| Der Tapfere Soldat (the Chocolate Soldier), Act III: Scene and Melodrama: Pardon, Pardon, pardon! Ich steig ja nur auf den Balkon [Nadina, Bumerli] | Oscar Straus, Johannes Martin Kränzle, Caroline Stein, John Dickie, Martina Borst, Gertraud Wagner, Helmut Berger, Walter Raffeiner, Cologne Handel Collegium, WDR Rundfunkorchester Köln, Siegfried Köhler | C Minor | 4 | 5A | 110 BPM |