Vidhi Mehta's ' "Baddhu Alright Chhe" was released on its scheduled release date, October 9, 2012. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Vidhi Mehta's "MetroGujju" album is number 4 out of 8. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Baddhu Alright Chhe's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Baddhu Alright Chhe by Vidhi Mehta to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khapang Swbano Naituk | Bimal Debbarma | F Minor | 6 | 4A | 134 BPM | ||
| Tomar Oi Misti Hashi | Milton Khondokar, Ahmed Imtiaz Bulbul | F Minor | 5 | 4A | 118 BPM | ||
| Jhoomi Ne Bol | Vidhi Mehta | G Minor | 8 | 6A | 95 BPM | ||
| Ki Karane Balo Thakur | Mahesh Ranjan Shome | A♭ Major | 7 | 4B | 91 BPM | ||
| Govindenniri Govinda | Shamita Malnad | A Minor | 6 | 8A | 145 BPM | ||
| Aankh Mari | Anupama Deshpande / Bhumi / Sachin Limaye / Mandar Shinde | F Major | 2 | 7B | 110 BPM | ||
| Kanha Tari Maya | Vidhi Mehta | D♭ Minor | 5 | 12A | 90 BPM | ||
| SHIVPUR MA BASRI | Dinesh Bashinge | B♭ Major | 7 | 6B | 145 BPM | ||
| Phaladaayaka Yamage | Rajkumar | B Major | 4 | 1B | 100 BPM | ||
| Aami Jato Jibo | Zubeen Garg | C Minor | 4 | 5A | 81 BPM | ||
| Banu Chandra - Version 2 | Renuka Swamy | E♭ Major | 5 | 5B | 141 BPM | ||
| Gadachina Kaalamanthaa | Symphony Music, A R Stevenson | G Minor | 5 | 6A | 160 BPM | ||
| Ame To Tara | Nidhi Dholakia | B♭ Minor | 4 | 3A | 144 BPM | ||
| Aaj Mara Mandiriyama Male Shrinathji | Nidhi Dholakiya | F♯ Minor | 5 | 11A | 140 BPM | ||
| Radu Nako Bala Swami Pathishi Aahe | DEEPA RANE | F Major | 8 | 7B | 112 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Shree Chakravasini | Pramod, Pradeep | A Minor | 7 | 8A | 146 BPM | ||
| Mandap Ropan-Maro Mandavdo | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Kahat Baade Bhairo Bhaiya | Bharat Sharma Vyas | C Minor | 8 | 5A | 143 BPM | ||
| Kach Regi Premeri Gat | Anil Chavhan | F♯ Major | 9 | 2B | 79 BPM | ||
| Yarige Helali | H. B. Fareet | G Major | 4 | 9B | 100 BPM | ||
| Swami Ho Swami | Mahesh Kale, Chintamani Sohoni | D Major | 8 | 10B | 109 BPM | ||
| Kanniridabeda Muddina | H. B. Fareet, Nandita | A Major | 7 | 11B | 154 BPM | ||
| Ranat Mor Aaravila | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Bidhire Ei Kheya - Full | Amit Kumar | D♭ Major | 1 | 3B | 93 BPM |