The Rake's Progress, Act II: As I Was Saying... by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner Song Details

"The Rake's Progress, Act II: As I Was Saying..." by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner had its release date on August 4, 2017. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Stravinsky: The Rake's Progress". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. Based on our statistics, The Rake's Progress, Act II: As I Was Saying...'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Rake's Progress, Act II: As I Was Saying... by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Music Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.018 dB
Acousticness: 99%
Danceability: 28%
Energy: 22%
Instrumentalness: 0%
Liveness: 11%
Loudness: 72%
Speechiness: 5%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction	Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra	A Major	1	11B	103 BPM
Háry János Suite: I. Prelude. The Fairy Tale Begins	Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain	F Major	1	7B	84 BPM
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B♭ Major	0	6B	82 BPM
Pini di Roma, P. 141: IV. I pini della Via Appia	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert	E♭ Major	4	5B	124 BPM
La mer, CD 111: II. Jeux de vagues - Recorded 1985	Claude Debussy, Berliner Philharmoniker, Herbert von Karajan	G Minor	0	6A	109 BPM
Serenade for Strings in E Minor, Op. 20: II. Larghetto	Edward Elgar, Orpheus Chamber Orchestra	A Minor	1	8A	109 BPM
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…"	Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner	B♭ Minor	1	3A	172 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Minor	6	3A	89 BPM
Violin Concerto in D Major, Op. 35: I. Moderato nobile	Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi	D Major	1	10B	88 BPM
Romeo and Juliet, Op. 64 - Act 1: The Quarrel	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	B Minor	4	10A	91 BPM
Gayane Suite No. 3: I. The Hunt - Andante	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	D Major	2	10B	92 BPM
Brook Green Suite: I. Prelude	Gustav Holst, English Sinfonia, Howard Griffiths	D♭ Major	0	3B	66 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Symphonic Dances, Op. 64: III. Allegro giocoso	Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner	A Major	1	11B	172 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	B♭ Major	1	6B	173 BPM
4 Orchestral Pieces, Sz. 51: I. Preludio	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Pini di Roma, P. 141: I. I pini di Villa Borghese	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli	G Minor	1	6A	65 BPM
Symphony No. 1, Op. 9: III. Andante tranquillo	Samuel Barber, Leonard Slatkin, St. Louis Symphony	B♭ Major	3	6B	93 BPM
String Quartet No. 8 in C Minor, Op. 110: I. Largo	Dmitri Shostakovich, Borodin Quartet	C Minor	1	5A	114 BPM
Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia	Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov	D Major	1	10B	140 BPM
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro)	Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	156 BPM
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato	Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus	B♭ Minor	0	3A	133 BPM
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo	Jean Sibelius, Leonard Bernstein, New York Philharmonic	B♭ Major	3	6B	98 BPM
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM