Henry Mancini's ' "The Donk (From "Two for the Road")" was released on its scheduled release date, August 20, 1967. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Donk (From "Two for the Road")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Two For The Road". In this album, this song's track order is #10. Based on our statistics, The Donk (From "Two for the Road")'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Donk (From "Two for the Road") by Henry Mancini having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Our Day Will Come | Antonio Rossi & His Orchestra | A♭ Major | 2 | 4B | 84 BPM | ||
| La mort - Bande originale du film "À bout de souffle" | Martial Solal | E♭ Major | 4 | 5B | 118 BPM | ||
| Soft Summer Breeze | Eddie Heywood | G Major | 2 | 9B | 110 BPM | ||
| I Still Can't Sleep / The Cannot Touch Her (Betsy's Theme) | Bernard Herrmann, James P. Nichols | F Major | 2 | 7B | 77 BPM | ||
| The Right One | Neal Hefti | E♭ Major | 2 | 5B | 105 BPM | ||
| Isn't It Romantic - From Sabrina 1954 | Frederick Hollander | E♭ Major | 2 | 5B | 109 BPM | ||
| I Love Paris | Cole Porter | G Major | 1 | 9B | 74 BPM | ||
| Night and Day | Cole Porter | G Major | 4 | 9B | 117 BPM | ||
| When I Wake | Justin Hurwitz | D Major | 2 | 10B | 138 BPM | ||
| More - Modelle in blu | Riz Ortolani, Nino Oliviero | B Minor | 4 | 10A | 78 BPM | ||
| Piove Per Noi | Stelvio Cipriani | G Major | 3 | 9B | 118 BPM | ||
| Moonglow | Benny Goodman | A♭ Major | 2 | 4B | 105 BPM | ||
| Romeo and Juliet (Love Theme) | Romantische Klaviermusik, Henry Mancini | A Minor | 2 | 8A | 82 BPM | ||
| Ma lamore no | Lelio Luttazzi | D Minor | 3 | 7A | 125 BPM | ||
| The Three Themes (From 'Mon Oncle') | Alain Romans, Franck barcellini | E♭ Major | 3 | 5B | 92 BPM | ||
| Sally's Tomato - REMASTERED | Henry Mancini | A Minor | 2 | 8A | 117 BPM | ||
| Stompin At The Savoy | Benny Goodman | B♭ Minor | 2 | 3A | 156 BPM | ||
| Uccidere in silenzio 3 | Nora Orlandi, Stelvio Cipriani | G Major | 1 | 9B | 125 BPM | ||
| Love Is Blue | Tony Mottola | E Minor | 1 | 9A | 110 BPM | ||
| Main Title - From Dr. Strangelove, 1964 | Peter Sellers, Laurie Johnson | E Minor | 3 | 9A | 62 BPM | ||
| Moon River | Henry Mancini | C Major | 3 | 8B | 92 BPM | ||
| Blue Mantilla | Henry Mancini | E♭ Major | 2 | 5B | 103 BPM | ||
| Personal Contact | Michel Colombier | A♭ Major | 5 | 4B | 103 BPM | ||
| La Dolce Vita / La Bella Malinconica | Nino Rota | B♭ Major | 1 | 6B | 113 BPM | ||
| Crash Sequence | Jay Israelson | G Major | 2 | 9B | 90 BPM |