"Madwoman's Vision" by Meredith Monk had its release date on April 1, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 14 in Book Of Days by Meredith Monk. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Madwoman's Vision is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Madwoman's Vision by Meredith Monk is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Avalokiteshvara (Music for Harp) - 1964 | Lou Harrison, Floraleda Sacchi | F Minor | 1 | 4A | 142 BPM | ||
| Sex Celeste | Daniel Blumberg | A Major | 1 | 11B | 101 BPM | ||
| Extended Circular Music No. 5 | Jürg Frey, Fabio Oehrli, Jonas Tschanz, Stefan Rolli | E♭ Major | 0 | 5B | 137 BPM | ||
| Riley: Keyboard Study 2 - Brubaker Version 3 | Terry Riley, Bruce Brubaker | C Minor | 1 | 5A | 173 BPM | ||
| Four Walls: Act I, Scene 1 | John Cage, Aki Takahashi, Megumi Hashiramoto | A Minor | 0 | 8A | 70 BPM | ||
| Mue | Koki Nakano | F♯ Major | 2 | 2B | 104 BPM | ||
| There's nothing we can do | Doplefy, Leumas Reis | A Major | 1 | 11B | 101 BPM | ||
| Pulsars, Pt. 2: Episode 5 | Tomasz Trzcinski | E Major | 1 | 12B | 107 BPM | ||
| Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
| Esperanza | Osvaldo Golijov, Arethusa Quartet, Animato Quartet, Nicholas Schwartz | A Major | 1 | 11B | 101 BPM | ||
| Jack Montparnasse | VITMAY | A Major | 1 | 11B | 101 BPM | ||
| Entr'acte | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 128 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | A Major | 1 | 11B | 101 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: II. Serenade. Adagio | Dmitri Shostakovich, Cuarteto Casals | A Major | 1 | 11B | 101 BPM | ||
| Shaker Loops: A Final Shaking (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 72 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM | ||
| The Quiet at Night | Mary Lattimore | D Major | 2 | 10B | 108 BPM | ||
| Piano & Violoncello 14 | Irena And Vojtech Havlovi | A♭ Major | 1 | 4B | 113 BPM | ||
| Fratres | Arvo Pärt, Viktoria Mullova, Paavo Järvi, Estonian National Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Will We Be There | David Moore | A Major | 1 | 11B | 101 BPM | ||
| Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
| Celestial Nocturne in D Minor | Arjun Tara | C Minor | 0 | 5A | 100 BPM | ||
| Barren Heart | Orithia | E Minor | 1 | 9A | 111 BPM | ||
| Futō | Shida Shahabi | D♭ Minor | 2 | 12A | 174 BPM | ||
| Sea Ear | Shida Shahabi | C Major | 0 | 8B | 87 BPM |