Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur) by Giacomo Puccini, Francesco Molinari-Pradelli, Bonaldo Giaiotti, Franco Corelli, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma Song Details

Giacomo Puccini, Francesco Molinari-Pradelli, Bonaldo Giaiotti, Franco Corelli, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma's 'Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur)' had a release date set for 1966. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Puccini: Turandot". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur) by Giacomo Puccini, Francesco Molinari-Pradelli, Bonaldo Giaiotti, Franco Corelli, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 14%
Loudness: -15.892 dB
Acousticness: 97%
Danceability: 24%
Energy: 17%
Instrumentalness: 0%
Liveness: 22%
Loudness: 74%
Speechiness: 4%
Valence: 21%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La traviata, Act I: Valzer: Che è ciò	Giuseppe Verdi, Renata Scotto, Riccardo Muti, Philharmonia Orchestra	A♭ Major	1	4B	131 BPM
Carmen: Act I: Avec la garde montante	Georges Bizet, Franco Corelli, Bernard Demigny, Herbert von Karajan	D Minor	2	7A	132 BPM
Les Pêcheurs de perles: Act I: Sur la grève en feu (Fishermen, Villagers)	Georges Bizet, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique	C Major	3	8B	178 BPM
Das Lied von der Erde: VId. Der Abschied. Schwer	Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux	A Major	1	11B	67 BPM
Puccini: Turandot, Act 1: "Fermo! che fai?" (Coro, Calaf, Pong, Pang, Ping)	Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Jonas Kaufmann, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia	D♭ Major	2	3B	126 BPM
Cherubini: Medea, Act 1: "Pronube dive" (Creonte, Coro, Glauce, Giasone)	Luigi Cherubini, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Mirto Picchi, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano	F Major	2	7B	72 BPM
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella"	Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	A♭ Major	1	4B	82 BPM
Bizet: Les pêcheurs de perles, Act 1: "C'est elle ! Elle vient" (Chœur)	Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Orchestre du Theatre National de IOpera-Comique	D Minor	8	7A	140 BPM
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!"	Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine	E Minor	2	9A	78 BPM
Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur)	Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique	F Major	0	7B	65 BPM
Adriana Lecouvreur: La dolcissima effigie	Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon	A Minor	3	8A	112 BPM
Turandot	Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma	F♯ Major	0	2B	84 BPM
Rigoletto, Act III: Un dì, se ben rammentomi - Live in Rome, 1966	Giuseppe Verdi, Luciano Pavarotti, Renata Scotto, Rosa Laghezza, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini	D♭ Major	2	3B	80 BPM
Ti voglio tanto bene	Orchestra, Franco Corelli, Raffaele Mingardo	C Major	2	8B	90 BPM
Bizet: Carmen, WD 31, Act 2 Scene 5: No. 17b, Cantabile, "La fleur que tu m'avais jetée" (Don José)	Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse	D♭ Major	2	3B	87 BPM
Manon Lescaut / Act 2: Poichè tu vuoi saper?	Giacomo Puccini, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine	F Major	2	7B	76 BPM
Cendrillon: Faites-vous très belles	Jules Massenet, Philharmonia Orchestra, Julius Rudel	B♭ Major	1	6B	115 BPM
Don Giovanni, K. 527: Dalla sua pace	Wolfgang Amadeus Mozart, Kenneth Riegel, Lorin Maazel	G Major	1	9B	86 BPM
Pagliacci: Act I: Vesti la giubba	Franco Corelli, Ruggero Leoncavallo, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile	A Major	1	11B	67 BPM
Rigoletto: Scorrendo uniti remota via	Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos	A Major	1	11B	118 BPM
Lasciami cantare una canzone	Leo Nucci, Salotto Ottocento Ensemble	D Major	2	10B	94 BPM
La Bohème, Act IV: "In un Coupé?...O Mimi, tu più non torni"	Giacomo Puccini, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome	B Major	3	1B	86 BPM
Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno	Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso	C Major	2	8B	80 BPM
Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)	Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra	E♭ Major	1	5B	104 BPM
Mozart: Così fan tutte, K. 588, Act 1: Terzetto. "É la fede delle femmine" (Ferrando, Don Alfonso, Guglielmo)	Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra, Deon Van Der Walt, Gilles Cachemaille, Thomas Hampson	D Major	0	10B	113 BPM