Gil Scott-Heron's ' "Comment #1" was released on its scheduled release date, January 1, 1971. Comment #1 is explicit and may not be suitable for children. With the duration being about 4:26, this song is close to the average duration of a typical track. There are a total of 14 in the song's album "Small Talk at 125th and Lenox". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Comment #1 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Comment #1 by Gil Scott-Heron having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Since You Came in My Life | The New York Community Choir | F Major | 7 | 7B | 117 BPM | ||
| My Cloud | Gil Scott-Heron | C Major | 1 | 8B | 79 BPM | ||
| Can You Lose By Following God | Whole Truth | D♭ Major | 7 | 3B | 159 BPM | ||
| Bellhead | Liquid Liquid | A Major | 10 | 11B | 126 BPM | ||
| Pretty Brown Skin | Roy Ayers | F Major | 6 | 7B | 86 BPM | ||
| To You With Love | The Moments | A Minor | 7 | 8A | 134 BPM | ||
| Blacknuss | Rahsaan Roland Kirk | B♭ Minor | 4 | 3A | 129 BPM | ||
| Free Your Mind And Your Ass Will Follow | Funkadelic | F Minor | 7 | 4A | 87 BPM | ||
| My Funny Valentine | Etta James | C Minor | 1 | 5A | 76 BPM | ||
| Shake Your Booty | Bunny Sigler | B Minor | 9 | 10A | 102 BPM | ||
| The Inflated Tear - Live Version | Rahsaan Roland Kirk | B Minor | 2 | 10A | 84 BPM | ||
| Say You Love Me, One More Time | D.J. Rogers | E Minor | 9 | 9A | 115 BPM | ||
| Universal Train | Father's Children | A Major | 6 | 11B | 137 BPM | ||
| Give Me a Helping Hand | Little Beaver | F♯ Major | 5 | 2B | 78 BPM | ||
| My Momma and My Poppa | Darondo | A Major | 6 | 11B | 102 BPM | ||
| Whitey on the Moon | Gil Scott-Heron | D♭ Major | 6 | 3B | 103 BPM | ||
| Wolves (Intro) | Dead Prez | E Minor | 6 | 9A | 79 BPM | ||
| Brother | Gil Scott-Heron | A Minor | 2 | 8A | 138 BPM | ||
| Here Comes The Judge | Pigmeat Markham | F Major | 6 | 7B | 98 BPM | ||
| Mariya | The Family Circle | A Minor | 4 | 8A | 121 BPM | ||
| Lovin' Man | Eugene McDaniels | C Minor | 3 | 5A | 100 BPM | ||
| Watch Out For The Riders | D.J. Rogers | F♯ Major | 6 | 2B | 150 BPM | ||
| Seize the Time | Elaine Brown | B♭ Minor | 5 | 3A | 137 BPM | ||
| Quiet Dawn | Archie Shepp | G Minor | 4 | 6A | 129 BPM | ||
| Hit It and Quit It | Funkadelic | B Major | 8 | 1B | 148 BPM |