On October 1, 1960, the song "Andante" was released by Goltermann, Mischa Raginsky, Concert Hall Orchestra. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in Around The World, Vol. 12 by Mischa Raginsky, Concert Hall Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Andante's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Andante by Goltermann, Mischa Raginsky, Concert Hall Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Larghetto | Victoria Yagling, Raphaela Gromes, Julian Riem | A Minor | 1 | 8A | 69 BPM | ||
| Cavatina (From “The Deer Hunter”) | Stanley Myers, Angèle Dubeau, La Pietà | E Major | 1 | 12B | 93 BPM | ||
| 2 Songs for My Kids (Version for Cello & String Orchestra): No. 2, Natalie's Waltz | Alexey Shor, Dmitry Yablonsky, Kyiv Virtuosi, Sergey Smbatyan | E Minor | 2 | 9A | 96 BPM | ||
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
| Schindler's List Theme | Eva Brönner, Helge Gutsche | D Minor | 2 | 7A | 180 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Akiko Suwanai, Phillip Moll | A Major | 1 | 11B | 125 BPM | ||
| Sonata No. 1 in F Minor for Viola and Piano, Op. 129: II. Andante un poco adagio | Johannes Brahms, Peter Barcaba, Yossiiola Gutmann | A♭ Major | 0 | 4B | 67 BPM | ||
| Concerto for Viola and Strings in C Minor: II. Adagio espressivo | Johann Christian Bach, Krasnoyarsk Chamber Orchestra, Filippo Faes, Anna Serova | A♭ Major | 2 | 4B | 88 BPM | ||
| 來自依帕內瑪的女孩 | 最好的時光三重奏 | D Minor | 3 | 7A | 82 BPM | ||
| Falla / Arr. Llobet & Pujol: 7 Canciones populares españolas: No. 5, Nana | Thibaut García, Edgar Moreau | A Minor | 0 | 8A | 50 BPM | ||
| Schumann: Kinderszenen, Op. 15: VII. Träumerei (Arr. Trinkaus for Cello & Piano) | Robert Schumann, Taeguk Mun, Chi Ho Han | F Major | 0 | 7B | 170 BPM | ||
| Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
| Variations on a Theme of Rossini | Niccolò Paganini, Sebastian Bru | D Major | 2 | 10B | 176 BPM | ||
| Méditation de Thaïs (Arr. Cullen for Cello and Orchestra) | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
| Bachianas brasileiras No. 1: III. Fugue. Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | C Minor | 1 | 5A | 91 BPM | ||
| Bocherini / Arr. Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
| Symphony No. 13 in D Major, Hob. I:13: II. Adagio cantabile | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | G Major | 0 | 9B | 174 BPM | ||
| タイスの瞑想曲 | Jules Massenet, 古澤巖, 朝川朋之 | E Minor | 2 | 9A | 87 BPM | ||
| Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
| 在银色的月光下 - 小提琴曲 | 吕思清, 盛原 | E Major | 3 | 12B | 96 BPM | ||
| Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 76 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: IV. Vivo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | E Minor | 1 | 9A | 109 BPM | ||
| 6 Deutsche Lieder, Op. 14 (Arr. for Double Bass and Piano by Lorraine Campet): No. 1, O sehntest du dich so nach mir | Josephine Lang, Lorraine Campet, Nathanaël Gouin | D Major | 0 | 10B | 90 BPM | ||
| Cerf-volant (Arr. for Viola & Piano by Dana Dörken and Adrien La Marca) | Bruno Coulais, Danae Dörken, Adrien La Marca | F Major | 1 | 7B | 67 BPM |