- BPM
- 172
- Key
- A Minor
- Camelot
- 8A
Ride! Ride!, Act II: When the Ancient Prophet Moses was Descending from the Mountain (The Rev. Henry Hobart, Dr. Crankshaw, Mrs. Crankshaw) by Stephen Varcoe, Bruce Graham, Maureen Keetch, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites Song Details
Stephen Varcoe, Bruce Graham, Maureen Keetch, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites's ' "Ride! Ride!, Act II: When the Ancient Prophet Moses was Descending from the Mountain (The Rev. Henry Hobart, Dr. Crankshaw, Mrs. Crankshaw)" was released on its scheduled release date, February 1, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Thwaites: Ride! Ride!". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. The popularity of Ride! Ride!, Act II: When the Ancient Prophet Moses was Descending from the Mountain (The Rev. Henry Hobart, Dr. Crankshaw, Mrs. Crankshaw) is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
With Ride! Ride!, Act II: When the Ancient Prophet Moses was Descending from the Mountain (The Rev. Henry Hobart, Dr. Crankshaw, Mrs. Crankshaw) by Stephen Varcoe, Bruce Graham, Maureen Keetch, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.36 dB
- Acousticness
- 95%
- Danceability
- 45%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 68%
- Speechiness
- 12%
- Valence
- 58%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ich bin ein guter Hirt, BWV 85: Aria. Jesus ist ein guter Hirt (Alto) | Johann Sebastian Bach, Katherine Fuge, William Towers, Norbert Meyn, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 2 | 2B | 76 BPM | |
 | Hymnen, Op. 140: IV. Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | |
 | 12 Rondels: No. 5, La paix | Reynaldo Hahn, Stephen Varcoe, Graham Johnson | B♭ Major | 1 | 6B | 99 BPM | |
 | Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola, Marie-Frédérique Girod, Caroline Weynants | C Major | 2 | 8B | 94 BPM | |
 | Messiah, HWV 56: Part 1: For behold, darkness shall cover the earth (Accompagnato) | Nikolaus Harnoncourt | A♭ Major | 1 | 4B | 100 BPM | |
 | The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | |
 | Memento salutis auctor, T 110: No. 1, Memento salutis auctor | William Byrd, Pro Musica, Szabó Dénes | A Minor | 1 | 8A | 67 BPM | |
 | Messe de requiem: VI. Agnus Dei | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | G Major | 1 | 9B | 74 BPM | |
 | Ubi Caritas | Maurice Duruflé, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | E Major | 0 | 12B | 81 BPM | |
 | Église du Seigneur | Chœur Éphata, Rogatien Despaigne | E Minor | 1 | 9A | 85 BPM | |
 | Christus natus est: I. Personent hodie | Cecilia McDowall, Canterbury Chamber Choir, Parmiter's Senior Singers, Orchestra Nova | A Major | 1 | 11B | 139 BPM | |
 | Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | |
 | Magnificat in D, BWV 243: Suscepit Israel (Sopranos 1&2/countertenor) | Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music | B♭ Minor | 1 | 3A | 111 BPM | |
 | Vers im Wind | Athesinus Consort Berlin, Klaus-Martin Bresgott, Stefan Quirin Drexlmeier, Katja Kunze, Stephan M. Gähler, Heike O. Scheel | F Major | 0 | 7B | 95 BPM | |
 | Requiem, Op. 9 (1961 version): Agnus Dei | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | C Major | 0 | 8B | 126 BPM | |
 | Mass in D Major, Op. 86 / Gloria: IId. Quoniam tu solus Sanctus | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | |
 | Üks roosike on tõusnud | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 1 | 9B | 100 BPM | |
 | Vom Himmel hoch: II. Aria "Es ist der Herr Christ" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | G Minor | 1 | 6A | 81 BPM | |
 | Abendlied | Laudate Mennonite Ensemble | D Major | 1 | 10B | 72 BPM | |
| Nach dir, Herr, verlanget mich, BWV 150: Leite mich in deiner Wahrheit (Chorus) | Johann Sebastian Bach, Gillian Keith, Daniel Taylor, Charles Daniels, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 3 | 10A | 101 BPM | |
 | Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | |
 | Fauré: Requiem, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Arleen Auger, Benjamin Luxon, John Butt, Choir of King's College, Cambridge, English Chamber Orchestra, Philip Ledger | B♭ Major | 0 | 6B | 76 BPM | |
 | Mass of the Americas: III. Gloria | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | |
 | Dowland: First Book of Songs or Ayres: No. 5, Can She Excuse My Wrongs? | John Dowland, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | D♭ Minor | 3 | 12A | 143 BPM | |
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 66 BPM |
- ISRC
- USB8U1072316
- Label
- L-M Records/RCA Records