Capture's ' "In My Head" was released on its scheduled release date, April 21, 2012. In My Head is explicit and may not be suitable for children. With the duration being about 3:33, this song is close to the average duration of a typical track. The song is number 4 out of 4 in Capture The Crown by Capture. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, In My Head's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of In My Head by Capture is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Arrival | Capture | D Minor | 9 | 7A | 157 BPM | ||
| Dead Ties | Myka, Relocate | F♯ Minor | 10 | 11A | 120 BPM | ||
| RVG | Capture | D Minor | 9 | 7A | 180 BPM | ||
| I Can't Sleep | Vesta Collide | B Minor | 10 | 10A | 95 BPM | ||
| This Confession Has Meant Nothing | One Last Look | B♭ Minor | 9 | 3A | 142 BPM | ||
| Turbulence | At The Skylines | A♭ Major | 9 | 4B | 140 BPM | ||
| Breather | Light Up The Sky | B Minor | 8 | 10A | 145 BPM | ||
| Running With Scissors | Casino Madrid | F Minor | 9 | 4A | 153 BPM | ||
| To The Stage | Asking Alexandria | F Major | 10 | 7B | 105 BPM | ||
| Jagerbomb | Shoot the Girl First | D♭ Major | 10 | 3B | 142 BPM | ||
| This Is the End | Through Arteries | B♭ Minor | 9 | 3A | 146 BPM | ||
| Don't Take It Personal | Through Arteries | B Minor | 10 | 10A | 135 BPM | ||
| The Victim | Memphis May Fire | F♯ Minor | 10 | 11A | 125 BPM | ||
| Insomniac | Capture | B♭ Major | 10 | 6B | 148 BPM | ||
| O.G. Loko | Of Mice & Men | F Major | 10 | 7B | 140 BPM | ||
| Princeton Ave | Issues | D Major | 9 | 10B | 159 BPM | ||
| Storm In A Teacup | Capture | D Minor | 8 | 7A | 140 BPM | ||
| The Last Conception | Upon This Dawning | D Major | 9 | 10B | 130 BPM | ||
| Floorboards | Oceans Ate Alaska | E Minor | 10 | 9A | 122 BPM | ||
| Ride The Wings of Pestilence | From First To Last | G Minor | 9 | 6A | 165 BPM | ||
| The One And Only | Upon This Dawning | G Major | 10 | 9B | 135 BPM | ||
| Oceans | Fear and Wonder | F♯ Major | 9 | 2B | 83 BPM | ||
| Capital Vices (feat. Phil Druyor & Nick Samson) | Jamie's Elsewhere, Phil Druyor, Nick Samson | B♭ Minor | 10 | 3A | 135 BPM | ||
| Dead By Dawn | Tear Out The Heart | F Major | 10 | 7B | 123 BPM | ||
| Deadbeat | Sylar | D Major | 9 | 10B | 107 BPM |