"12 Songs, Op. 21: No. 5, Lilacs (Version for Piano)" by Sergei Rachmaninoff, Julia Severus had its release date on May 12, 2017. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 12 Songs, Op. 21: No. 5, Lilacs (Version for Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Rachmaninoff: Rare Piano Transcriptions". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. 12 Songs, Op. 21: No. 5, Lilacs (Version for Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Songs, Op. 21: No. 5, Lilacs (Version for Piano) by Sergei Rachmaninoff, Julia Severus having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prokofiev: Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai | Sergei Prokofiev, Martha Argerich, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 3 | 10B | 120 BPM | ||
| Piano Trio No.1 in B flat, Op.99 D.898: II. Andante un poco mosso | Franz Schubert, The Schubert Ensemble | B♭ Major | 1 | 6B | 111 BPM | ||
| Lyric Pieces, Book IX, Op. 68: No. 3, For dine födder. Poco andante e molto espressivo | Edvard Grieg, Javier Perianes | D Major | 0 | 10B | 73 BPM | ||
| Liebesleid | Fritz Kreisler, Sergei Rachmaninoff | A Minor | 0 | 8A | 77 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 3. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | B♭ Major | 3 | 6B | 101 BPM | ||
| Piano Sonata No. 9 in C Major, Op. 103: III. Andante tranquillo | Sergei Prokofiev, Bernd Glemser | A♭ Major | 0 | 4B | 95 BPM | ||
| I. Prologue: Lent sostenuto et molto risoluto | Claude Debussy, Harriet Krijgh, Kamilla Isanbaeva | D Minor | 0 | 7A | 85 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
| The Seasons, Op. 37b, TH 135: XI. November. Troika | Pyotr Ilyich Tchaikovsky & Modest Mussorgsky, Barry Douglas | E Major | 0 | 12B | 139 BPM | ||
| Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
| Intermezzi, Op. 117: 3. In C-Sharp Minor | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
| Liadov : 3 Preludes Op.57 : No.1 in D flat major | Anatoly Lyadov, Boris Berezovsky | D♭ Major | 0 | 3B | 80 BPM | ||
| Piano Concerto No. 1 in C Minor, Op 33: I. Allegro | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | G Major | 2 | 9B | 79 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation No. 16 Allegretto | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | E♭ Minor | 0 | 2A | 108 BPM | ||
| Piano Concerto No. 3 in C Minor, Op. 32: II. Cadenza | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janáček Philharmonic Orchestra | D♭ Major | 1 | 3B | 115 BPM | ||
| Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
| 12 Études, Op. 25: No. 7 in C-Sharp Minor | Frédéric Chopin, Jan Lisiecki | D♭ Minor | 0 | 12A | 113 BPM | ||
| Sonata No. 1, Op. 1 | Sergei Prokofiev, Boris Berman | D Minor | 0 | 7A | 96 BPM | ||
| Fauré: Violin Sonata No. 2 in E Minor, Op. 108: III. Allegro non troppo | Gabriel Fauré, Anne Queffélec | D Minor | 1 | 7A | 86 BPM | ||
| 5 Pieces, Op. 85, "The Flowers": No. 3 Iris | Jean Sibelius, Håvard Gimse | B♭ Minor | 0 | 3A | 92 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Nocturne No. 3 | Guy Ropartz, Stephane Lemelin | E♭ Major | 1 | 5B | 99 BPM | ||
| Gypsy Melodies, B. 104: IV. Songs My Mother Taught Me (Arr. Hough) | Antonín Dvořák, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM | ||
| Cello Sonata in A Minor, Op. 36: II. Andante molto tranquillo | Edvard Grieg, Jean-Yves Thibaudet, Truls Mørk | F Major | 1 | 7B | 132 BPM |