Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni's 'Goldberg Variations (‘Air with Thirty Variations’), BWV 988: I. Largamente e cantato' had a release date set for January 22, 2021. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Goldberg Variations (‘Air with Thirty Variations’), BWV 988: I. Largamente e cantato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 24 in Bach - Busoni: Goldberg Variations & Other Works by Ferruccio Busoni, Johann Sebastian Bach, Chiyan Wong. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Goldberg Variations (‘Air with Thirty Variations’), BWV 988: I. Largamente e cantato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Goldberg Variations (‘Air with Thirty Variations’), BWV 988: I. Largamente e cantato by Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
| Bach, JS: Violin Sonata No. 4 in C Minor, BWV 1017: I. Largo (Live) | Martha Argerich, Tedi Papavrami | F Minor | 1 | 4A | 177 BPM | ||
| Bach / Busoni: Toccatas and Fugues, BV B29: No. 2, Toccata and Fugue in D Minor: Toccata (After Bach's BWV 565) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | D Minor | 1 | 7A | 65 BPM | ||
| Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | A♭ Major | 0 | 4B | 107 BPM | ||
| I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air - Performed on Recorder | Johann Sebastian Bach, Lucie Horsch, Rachel Podger, Esther Van Der Eijk, Albert Brüggen, Tom Foster | F Minor | 0 | 4A | 68 BPM | ||
| Oboe Concerto in F Minor, TWV 51:F2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 82 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Rondo in C Major, Op. 51 No. 1 | Ludwig van Beethoven, Hans Richter-Haaser, István Kertész, Philharmonia Orchestra | C Major | 0 | 8B | 124 BPM | ||
| Beethoven - 6 Ecossaises, WoO 83 | Ferruccio Busoni, Holger Groschopp | E♭ Major | 1 | 5B | 119 BPM | ||
| Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | ||
| Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
| Matthäus-Passion, BWV 244: Erbarme dich mein Gott | Yo-Yo Ma, Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra | B♭ Minor | 1 | 3A | 91 BPM | ||
| Andante in G Minor, Wq. 116/27 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A♭ Major | 1 | 4B | 81 BPM | ||
| Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
| Scarlatti, D: Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, David Fray | D Major | 0 | 10B | 68 BPM | ||
| Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibt meine Freude (Chorus) | Johann Sebastian Bach, Ingrid Kertesi, Judit Nemeth, Jozsef Mukk, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | G Major | 1 | 9B | 64 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| 16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
| Keyboard Sonata in F Major, Wq. 54/1: I. Allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 0 | 11B | 79 BPM | ||
| Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Nocturne in B Major, Op. 22 | Charles-Valentin Alkan, Pascal Amoyel | B Major | 0 | 1B | 69 BPM |