David Mead's 'Telephone' had a release date set for September 28, 1999. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Luxury of Time". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Telephone's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Telephone by David Mead having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dead Man's Cake | David Mead | G Major | 3 | 9B | 125 BPM | ||
| I Want You to Be My Love | Over the Rhine | G Major | 3 | 9B | 122 BPM | ||
| Golden Days | The Damnwells | D♭ Major | 7 | 3B | 132 BPM | ||
| Calling All Friends | The Low Stars | G Major | 9 | 9B | 160 BPM | ||
| 5-22-02 | Golden Smog | C Major | 9 | 8B | 128 BPM | ||
| Train Window | Azuno Kutcher | D♭ Minor | 5 | 12A | 110 BPM | ||
| New Hampshire | Matt Pond PA | D♭ Major | 5 | 3B | 124 BPM | ||
| Fred Meyers | Glen Phillips | E Major | 5 | 12B | 186 BPM | ||
| Waiting | Glen Phillips | B♭ Major | 5 | 6B | 142 BPM | ||
| Left Behind | Aqualung | D Major | 6 | 10B | 98 BPM | ||
| The Business | David Mead | D Major | 9 | 10B | 142 BPM | ||
| I'll Do The Driving | Fountains Of Wayne | A Major | 7 | 11B | 97 BPM | ||
| Through Toledo | Greg Laswell | C Major | 5 | 8B | 140 BPM | ||
| How to Live Alone | Pernice Brothers, Joe Pernice | A Minor | 6 | 8A | 116 BPM | ||
| Coastline | The Sanex | D♭ Minor | 5 | 12A | 110 BPM | ||
| Friend or Foe | Fastball | E Major | 8 | 12B | 120 BPM | ||
| One Way Street | Marc Tewksbury | F Major | 4 | 7B | 170 BPM | ||
| Always Friends | Grant-Lee Phillips | B Minor | 6 | 10A | 132 BPM | ||
| Cathedrals | Jump, Little Children | A Major | 3 | 11B | 87 BPM | ||
| Skin | Chris Trapper | E♭ Major | 7 | 5B | 175 BPM | ||
| A Dusty Road | Toby Judson | F♯ Minor | 6 | 11A | 88 BPM | ||
| Dear Henry | Skydiggers | A Major | 6 | 11B | 206 BPM | ||
| April Storm | Jeremy Enigk | D Major | 5 | 10B | 202 BPM | ||
| Outside | Aqualung | B Major | 7 | 1B | 148 BPM | ||
| Good Old Days | Owsley | E Major | 9 | 12B | 96 BPM |