On March 26, 1999, the song "Bheemsury Kranticha" was released by Anand Shinde. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Anand Shinde, Milind Shinde, Dinkar Shinde's "Muktidata" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Bheemsury Kranticha is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bheemsury Kranticha by Anand Shinde to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Char Teen Don Ek | Suresh Wadkar, Vinay Mandke | F♯ Major | 10 | 2B | 105 BPM | ||
| Khel Mandala | Ajay Gogavale | C Major | 2 | 8B | 80 BPM | ||
| Vesavachi Paroo - DJ Koligeet | Shrikant Narayan | D♭ Major | 10 | 3B | 95 BPM | ||
| Pankaja taai baag fulavte | VijayaAnandMusic, Anand Shinde | F Minor | 10 | 4A | 110 BPM | ||
| Aata Tari Deva Mala Pavshil Ka | Prahlad Shinde | A Major | 8 | 11B | 97 BPM | ||
| Nach Shalu Nach | Sajan, Vishal | F♯ Minor | 10 | 11A | 110 BPM | ||
| Ganeshgalli Wala Majha Mumbaicha Raja Aala | Dinesh Pawar | F Major | 8 | 7B | 128 BPM | ||
| Aaj Bharun Chalali Manjula | Akshay Garadkar | F♯ Major | 9 | 2B | 140 BPM | ||
| Mazya Bhimacha Darara Hay Original | Hiral Kamble, Kadubai Kharat | B♭ Minor | 10 | 3A | 150 BPM | ||
| Sheelachya Aaicha Gho | Urmila Dhangar | F♯ Major | 10 | 2B | 152 BPM | ||
| Hyo Porga Mazhyava Martoy | Kavita Nikam | A♭ Major | 9 | 4B | 172 BPM | ||
| Lakhabai Potraj Aalay Bhetila | Chandan Kamble | E♭ Minor | 7 | 2A | 113 BPM | ||
| Amcha Neta Layee Powerful | Anand Shinde | B Major | 8 | 1B | 82 BPM | ||
| Sakharbaicha Naad Yedakhula Hay | Sakhrabai Tekale | A Minor | 8 | 8A | 125 BPM | ||
| Kallulacha Pani | Santosh Dhede | A Major | 6 | 11B | 121 BPM | ||
| Aali Naar Thumkat Murdat | Wagya | F Major | 7 | 7B | 194 BPM | ||
| ANGTHI SONYACHI BOTALA | ADARSH SHINDE | D♭ Major | 8 | 3B | 150 BPM | ||
| Natina Marli Mitthi | Anand Shinde | A♭ Major | 9 | 4B | 160 BPM | ||
| Raanamadi Ekatach Dultoy | Urmila Dhangar | D♭ Major | 8 | 3B | 135 BPM | ||
| Vaari Chukayachi Nahi | Avadhoot Gandhi | E Major | 5 | 12B | 81 BPM | ||
| Dahi Dudha Khauni | Surykant Shinde | A♭ Minor | 9 | 1A | 111 BPM | ||
| Sai Bhajan - Langdi Mhane Bhartar Mala | Rajesh Ranshur | E♭ Major | 8 | 5B | 130 BPM | ||
| TumcHya Pudhyat Kutate Mi Ha Jvanicha Masala | Shaila Chikhale | A Minor | 7 | 8A | 85 BPM | ||
| Aay Tuza Kanashi Bharu Khopa | Ramesh Nakhwa | G Major | 4 | 9B | 155 BPM | ||
| Dekh Tuni Bayko Kashi Nachi Rayni | Anjana Barlekar, Jagdish Sandhanshiv | E♭ Major | 10 | 5B | 172 BPM |