"Seis piezas a Violeta (2023 Version for String Orchestra & Piano): VI. Amen" by Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin had its release date on July 18, 2025. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Alisa Weilerstein's "Gabriela Ortiz: Yanga" album is number 11 out of 11. On top of that, United States appears to be the country where this track was created. Seis piezas a Violeta (2023 Version for String Orchestra & Piano): VI. Amen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seis piezas a Violeta (2023 Version for String Orchestra & Piano): VI. Amen by Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin to be Lento (slowly) because the track has a tempo of 57 BPM, a half-time of 28BPM, and a double-time of 114 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Exilios II - A Lydia | Classical Laguna Experience Orchestra, Alejandro Escuer, Gabriela Ortiz, David González | C Major | 0 | 8B | 138 BPM | ||
| String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Miró Quartet | G Major | 4 | 9B | 146 BPM | ||
| Glass: Echorus | Philip Glass, Delirium Musicum, Étienne Gara, YuEun Kim | C Major | 1 | 8B | 121 BPM | ||
| Madrigals, Book 9: Si dolce è il tormento (Perf. on Sheng, Viola & Double Bass) | Claudio Monteverdi, Wu Wei, Martin Stegner, Janne Saksala | D Minor | 0 | 7A | 81 BPM | ||
| Ellis Island - Version for Solo Piano | Meredith Monk, Julia Hamos | C Major | 1 | 8B | 133 BPM | ||
| Triune | Olivia Belli | D Minor | 2 | 7A | 75 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | E♭ Minor | 0 | 2A | 92 BPM | ||
| Islandus: Flora II “The Lily” | Gabríel Ólafs, Reykjavík Orkestra, Viktor Orri Árnason | G Major | 1 | 9B | 84 BPM | ||
| Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
| Night Tide Light | Fred Hersch | D♭ Major | 0 | 3B | 64 BPM | ||
| Beau soir, CD 84 (Arr. Parkin for Violin, Guitar, Accordion & Cello) | Claude Debussy, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Skymning | Joel Lyssarides, vision string quartet | F Major | 2 | 7B | 103 BPM | ||
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
| Les Eaux célestes: I. Tisser les nuages | Camille Pépin, Orchestre National De Lyon, Ben Glassberg | B Minor | 1 | 10A | 133 BPM | ||
| String Quartet No. 1 in C Minor, Op. 51 No. 1: II. Romanze. Poco adagio | Johannes Brahms, Zehetmair Quartett | A Minor | 1 | 8A | 99 BPM | ||
| Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| V. Elegi. Till Carin, min hustru (Elegy. To Carin, my wife) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Minor | 0 | 2A | 92 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): III. Ritmo Genésico | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Turangalîla-Symphonie: I. Introduction | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | B Major | 4 | 1B | 152 BPM | ||
| Turangalîla-Symphonie: VII. Turangalîla 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Turangalîla-Symphonie: V. Joie du sang des étoiles | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| De cuerda y madera | Gabriela Ortiz, María Dueñas, Alexander Malofeev | A Minor | 2 | 8A | 124 BPM | ||
| Prélude, Fugue et Variation, Op. 18: I. Prélude. Andantino | César Franck, Mao Fujita | A Major | 3 | 11B | 80 BPM |