Gordon Cochran, Catherine Harvey, Sharon-Elizabeth Ellis, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites's ' "Ride! Ride!, Act II: Get in There, Audrey, and It's More Than You Deserve! (Sam, Martha, Audrey)" was released on its scheduled release date, February 1, 2014. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Ride! Ride!, Act II: Get in There, Audrey, and It's More Than You Deserve! (Sam, Martha, Audrey)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Thwaites: Ride! Ride!". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. Based on our statistics, Ride! Ride!, Act II: Get in There, Audrey, and It's More Than You Deserve! (Sam, Martha, Audrey)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Ride! Ride!, Act II: Get in There, Audrey, and It's More Than You Deserve! (Sam, Martha, Audrey) by Gordon Cochran, Catherine Harvey, Sharon-Elizabeth Ellis, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If I Were the King of the Forest - Complete Tracks with Guide Vocals | Stage Stars | E♭ Major | 4 | 5B | 150 BPM | ||
| Ever After | Stephen Sondheim, Tom Aldredge, Into the Woods Ensemble, Original Broadway Cast of Into the Woods, Paul Gemignani | A Major | 3 | 11B | 127 BPM | ||
| Metaphor | Kenneth Nelson, Rita Gardner | G Major | 3 | 9B | 80 BPM | ||
| Over There | Jon English, Rob Carriker, Marlborough Singers & Marlborough Chamber Players | B♭ Major | 3 | 6B | 128 BPM | ||
| Four Black Dragons | Jae Woo Lee, Mark Hsu Syers, Mako | D♭ Major | 4 | 3B | 66 BPM | ||
| 1776: Cool, Cool, Considerate Men | Sherman Edwards, Paul Hecht, David Ford, 1776 Ensemble, Peter Howard | C Minor | 4 | 5A | 96 BPM | ||
| Journey On | Mark Jacoby, Alan Swann, Eddy Afton, Peter Friedman, Marin Mazzie | B Major | 3 | 1B | 95 BPM | ||
| Quartet: There's a Man (Transition) | Mandy Patinkin, Robert Westenberg, Kay Walbye, Rebecca Luker | F Minor | 2 | 4A | 124 BPM | ||
| Camelot: Then You May Take Me to the Fair | Frederick Loewe, Julie Andrews, Bruce Yarnell, James Gannon, John Cullum, Franz Allers | C Major | 3 | 8B | 143 BPM | ||
| H.M.S. Pinafore, Act I: When I Was a Lad | Gilbert & Sullivan Society of Houston | B♭ Major | 4 | 6B | 109 BPM | ||
| Hm! Hm! Hm! – Quintet | Wolfgang Amadeus Mozart | D Major | 2 | 10B | 88 BPM | ||
| The Crime of the Century | Lynnette Perry, Ragtime Ensemble (1996) | A♭ Major | 3 | 4B | 149 BPM | ||
| Chapitre 03: Cendrillon | Cendrillon | E Minor | 3 | 9A | 108 BPM | ||
| Cannon Song | Raul Julia, David Sabin, The Threepenny Opera Ensemble (1976) | D♭ Minor | 6 | 12A | 115 BPM | ||
| The Best of Times | George Hearn, Elizabeth Parrish | B Major | 2 | 1B | 84 BPM | ||
| It's All the Same | Mary Elizabeth Mastrantonio, Man of La Mancha Ensemble (2002) | A♭ Minor | 3 | 1A | 112 BPM | ||
| Prima Donna | Miranda Richardson, Emmy Rossum, Andrew Lloyd Webber, Ciaran Hinds, Patrick Wilson, Simon Callow, Victor Mcguire, Jennifer Ellison | D♭ Major | 1 | 3B | 92 BPM | ||
| Die Dreigroschenoper: Akt III, Salomon Song ("Ihr saht den weisen Salomo") | Kurt Weill, Lotte Lenya, Wilhelm Brückner-Rüggeberg | F Major | 0 | 7B | 112 BPM | ||
| The Lusty Month Of May | Julie Andrews | F Major | 2 | 7B | 124 BPM | ||
| West Side Story: IV. The Dance at the Gym - Meeting Scene | Leonard Bernstein, Nina Bernstein, Alexander Bernstein | A Minor | 0 | 8A | 85 BPM | ||
| Moon River [Breakfast at Tiffany's] | Luciano Pavarotti, Nancy Gustafson, Orchestra del Teatro Comunale di Bologna, Michael Kamen | D Major | 4 | 10B | 124 BPM | ||
| I'll Go Home with Bonnie Jean | Van Johnson | G Major | 4 | 9B | 128 BPM | ||
| Green Finch and Linnet Bird | Stephen Sondheim, Sarah Rice, Original Broadway Cast of Sweeney Todd: The Demon Barber of Fleet Street, Paul Gemignani | B♭ Major | 3 | 6B | 115 BPM | ||
| The Joy You Feel | Sarah Uriarte Berry, Adam Guettel | D♭ Major | 1 | 3B | 162 BPM | ||
| My Fair Lady, Act I Scene 8: On the Street Where You Live | Frederick Loewe, Sinfonia Of London, John Wilson, Laurence Kilsby, Charlotte Kennedy, Julia McKenzie | G Major | 2 | 9B | 82 BPM |