"Toshi's Sacrifice" by Harry Gregson-Williams had its release date on August 10, 2018. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Toshi's Sacrifice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Meg (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Toshi's Sacrifice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Toshi's Sacrifice by Harry Gregson-Williams having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duneagle | John Lunn, The Chamber Orchestra Of London | F♯ Minor | 2 | 11A | 92 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| A Claim to the Throne | Max Richter | G Minor | 3 | 6A | 137 BPM | ||
| The Ocean Returns The Favour - From "Our Planet" | Steven Price | E Minor | 4 | 9A | 103 BPM | ||
| Ancestors | Harry Gregson-Williams | D Major | 2 | 10B | 147 BPM | ||
| The Stone Table | Harry Gregson-Williams | G Minor | 2 | 6A | 99 BPM | ||
| A Miraculous Return | Rupert Gregson-Williams | E Minor | 3 | 9A | 136 BPM | ||
| Where's Hiccup? | John Powell | G Major | 1 | 9B | 83 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| Lancelot's Heroism | Rob Lane | D Minor | 4 | 7A | 127 BPM | ||
| The Good Curse | Mark Isham, Cindy O'Connor | F Minor | 1 | 4A | 66 BPM | ||
| Only The Beginning of The Adventure | Harry Gregson-Williams | A♭ Major | 2 | 4B | 83 BPM | ||
| Farewell Aragog | Nicholas Hooper | G Major | 0 | 9B | 82 BPM | ||
| The Boy Was Right | David Hirschfelder | D Minor | 3 | 7A | 79 BPM | ||
| Dreams | Pinar Toprak | D Major | 3 | 10B | 134 BPM | ||
| Impecunious Circumstances | Thomas Newman | C Minor | 2 | 5A | 85 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| The House Cup | J Scott Rakozy, Hogwarts Legacy | G Major | 3 | 9B | 87 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Humans / Diego | David Newman | G Major | 3 | 9B | 80 BPM | ||
| Merlin's Arrival at Camelot | Rob Lane | A♭ Major | 3 | 4B | 94 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| A Window to the Past | John Williams | A Minor | 0 | 8A | 107 BPM | ||
| The All Spark | Steve Jablonsky | D Minor | 3 | 7A | 150 BPM |