Robert Graves's ' "Chapter 242 - Goodbye to All That" was released on its scheduled release date, February 27, 2025. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Robert Graves's "Goodbye to All That" album is number 242 out of 274. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Chapter 242 - Goodbye to All That's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chapter 242 - Goodbye to All That by Robert Graves to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bogland | Seamus Heaney | A♭ Major | 1 | 4B | 102 BPM | ||
| The Creed | Spiritual Unfoldment with John Butler | A♭ Major | 1 | 4B | 115 BPM | ||
| Sixth Hour Absolution & Conclusion | Coptic Hymns in English | G Major | 3 | 9B | 165 BPM | ||
| My Boy Jack | Rudyard Kipling, Ralph Fiennes | C Major | 1 | 8B | 113 BPM | ||
| Victorian London, Pt. 5 | Paul the Dreamtraveler | G Major | 0 | 9B | 79 BPM | ||
| Night of the Vikings, Pt. 6 | Paul the Dreamtraveler | D Major | 1 | 10B | 59 BPM | ||
| Sceptre | Richy Rich | A♭ Major | 3 | 4B | 92 BPM | ||
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| Perfect Woman (William Wordsworth) | Michael Sheen | D♭ Major | 0 | 3B | 77 BPM | ||
| The One Who Stayed | Shel Silverstein | G Major | 1 | 9B | 35 BPM | ||
| Squint | Pepelicious | F Minor | 0 | 4A | 134 BPM | ||
| I'm All Dressed Up | Snow Shine | D Major | 2 | 10B | 144 BPM | ||
| Dance At the Palace, Pt. 9 | Paul the Dreamtraveler | F Minor | 3 | 4A | 108 BPM | ||
| Chapter 03 - Grimms' Fairy Tales | The Brothers Grimm | A♭ Major | 3 | 4B | 82 BPM | ||
| The Little Mermaid, Pt. 22 | Fairy Tales for Kids | G Minor | 1 | 6A | 82 BPM | ||
| Little Gnomes Town | Children's Bedtime Stories | F♯ Major | 2 | 2B | 80 BPM | ||
| The Love Song of J. Alfred Prufrock | T. S. Eliot | C Major | 1 | 8B | 101 BPM | ||
| The Cuirassiers of the Frontier | Robert Graves | F Minor | 0 | 4A | 195 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Introduction | New Philharmonia Orchestra, Richard Baker, Raymond Leppard | C Major | 0 | 8B | 171 BPM | ||
| In the start | Richy Rich | E♭ Major | 1 | 5B | 95 BPM | ||
| Don't be a hater | Gurlt | F♯ Minor | 4 | 11A | 125 BPM | ||
| How to Become Born Again | PraiseGod Okere | C Major | 5 | 8B | 94 BPM | ||
| Nocturne | Sylvia Plath | F♯ Major | 0 | 2B | 79 BPM | ||
| The Sonnets: Sonnet 29: When In Disgrace With Fortune and Men's Eyes | William Shakespeare, Margaret Howard, Bernard Palmer | A Major | 3 | 11B | 96 BPM | ||
| Kapitel 8.3 & Kapitel 9.1 - Adolf Hitler | Clemens von Lengsfeld | D Minor | 4 | 7A | 93 BPM |