On January 1, 2007, the song "Run Hail hail the gangs all here" was released by Traditional, Lisa Harris. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "Pink Tights". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, Run Hail hail the gangs all here's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Run Hail hail the gangs all here by Traditional, Lisa Harris having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Hymne to God the Father | Pelham Humfrey, Grace Davidson, Julian Perkins | D Major | 2 | 10B | 128 BPM | ||
| In Dulci Jubilo | Matthew Culloton, Desmond Earley, The Choral Scholars of University College Dublin | E Major | 2 | 12B | 129 BPM | ||
| Maria durch ein Dornwald ging (Arr. P. Lawson) | Traditional, Papagena | F Major | 1 | 7B | 170 BPM | ||
| Choirs of Eternity | LeoRoads | B Minor | 2 | 10A | 80 BPM | ||
| Let All Mortal Flesh Keep Silence | Benedictines of Mary, Queen of Apostles | D Minor | 1 | 7A | 129 BPM | ||
| Carpe Diem | Franco Prinsloo, Vox Chamber Choir | B Major | 1 | 1B | 138 BPM | ||
| Ave sanctissima Maria: Ave Sanctissima Maria | Juan de Anchieta, Loreto Fernandez Imaz, Capilla Peñaflorida, Ministriles de Marsias, Josep Cabre | A Minor | 1 | 8A | 77 BPM | ||
| Ava Maria | Johann Sebastian Bach, Mikael Beier, Vibeke Franck | C Major | 1 | 8B | 128 BPM | ||
| Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
| 3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Minor | 1 | 9A | 68 BPM | ||
| 3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
| O Radix Jesse | Rihards Dubra, Choir of Merton College, Oxford, Benjamin Nicholas | G Major | 2 | 9B | 128 BPM | ||
| Spaseniye Sodelal | University Of Pretoria Camerata | D♭ Major | 1 | 3B | 71 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | D Major | 2 | 10B | 128 BPM | ||
| Trumpet Voluntary | Jeremiah Clarke, The Prague Brass Soloists | A Major | 1 | 11B | 113 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
| The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM | ||
| Abschied | Joël von Moos, Daria Occhini, Eberhard Rex, Luzerner Kantorei | E Major | 2 | 12B | 71 BPM | ||
| Más cerca, Dios, de Ti | Marx Huancas | E♭ Major | 2 | 5B | 168 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| Ave Maria | Franz Biebl, Christopher Bell, National Youth Choir of Scotland | B♭ Major | 1 | 6B | 65 BPM | ||
| Agnus Dei. O Lesu Salvator | Gregorian Chant | A Minor | 0 | 8A | 70 BPM | ||
| Ideo Gloria | Lydia McCauley | D Major | 3 | 10B | 119 BPM |