"Variation 6" by Arvo Pärt, Ralph van Raat had its release date on September 6, 2011. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Pärt: Piano Music". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Hong Kong. Variation 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variation 6 by Arvo Pärt, Ralph van Raat having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| China Gates | John Adams, Bruce Brubaker | E♭ Minor | 1 | 2A | 153 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Martynov: "Come in!", Movement III | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 90 BPM | ||
| Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | A♭ Major | 0 | 4B | 65 BPM | ||
| Pärt: Tabula rasa: I. Ludus | Arvo Pärt, Tasmin Little, Richard Studt, Robert Aldwinckle, Bournemouth Sinfonietta | F Major | 2 | 7B | 119 BPM | ||
| Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM | ||
| Lamentate: Fragile e conciliante | Arvo Pärt, Ralph van Raat, Netherlands Radio Chamber Philharmonic, Joann Falletta | D♭ Major | 0 | 3B | 94 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Satie: Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | ||
| Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
| September III | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Bær | Hildur Guðnadóttir | E Minor | 1 | 9A | 75 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| O salutaris hostia | Jan Garbarek, Pierre de la Rue, The Hilliard Ensemble | C Major | 1 | 8B | 89 BPM | ||
| Near Light | Ólafur Arnalds, Mari Samuelsen, Hakon Samuelsen, TrondheimSolistene | D Major | 1 | 10B | 132 BPM | ||
| Old Style | Nazec | F Major | 1 | 7B | 81 BPM | ||
| Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
| Fólk fær andlit | Hildur Guðnadóttir | A Minor | 1 | 8A | 140 BPM | ||
| 1.1 Prelude | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | G Major | 3 | 9B | 140 BPM | ||
| An Ending (Ascent) | Brian Eno, Tyler Rix, Tolga Kashif | A♭ Major | 3 | 4B | 83 BPM | ||
| Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
| Four Hands | Nils Frahm | B♭ Minor | 2 | 3A | 51 BPM | ||
| Martynov: "Come in!", Movement IV | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 115 BPM |