Joe Pass's 'How Deep Is The Ocean? - Live' had a release date set for January 1, 2002. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Joe Pass's "Meditation" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. How Deep Is The Ocean? - Live is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How Deep Is The Ocean? - Live by Joe Pass to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unfaithful Woman - Instrumental | Howard Alden | A Minor | 1 | 8A | 126 BPM | ||
| A Touch That Feels Like Home | Salma Del Sol | F Major | 5 | 7B | 97 BPM | ||
| Just Friends | Pat Martino | F Major | 6 | 7B | 119 BPM | ||
| I'm Getting Sentimental Over You | Oscar Peterson, Joe Pass, Ray Brown | G Minor | 3 | 6A | 81 BPM | ||
| Yardbird Suite | Tal Farlow | D Minor | 3 | 7A | 123 BPM | ||
| Easy Listening Blues - Live | Oscar Peterson, Joe Pass, Niels-Henning Ørsted Pedersen | F Minor | 4 | 4A | 120 BPM | ||
| Freddie Freeloader | Wes Montgomery Trio | F Minor | 2 | 4A | 113 BPM | ||
| Blue Bossa | Pat Martino | A♭ Major | 5 | 4B | 137 BPM | ||
| You Must Believe in Spring | Mike Moreno, M. Legrand, Doug Weiss, Kendrick Scott | C Minor | 1 | 5A | 57 BPM | ||
| Smoke Filled | Daniel Cello | C Minor | 0 | 5A | 85 BPM | ||
| Moonlight In Vermont | Joe Pass | D♭ Minor | 2 | 12A | 112 BPM | ||
| Portrait Of Jenny | Wynton Kelly Trio | E♭ Major | 1 | 5B | 120 BPM | ||
| Aren't You Glad You're You | Gerry Mulligan Quartet | F Major | 3 | 7B | 145 BPM | ||
| Autumn Perc | Smooth Groove Atelier | C Major | 2 | 8B | 100 BPM | ||
| The Only One | Kenny Barron & Dave Holland | B♭ Major | 1 | 6B | 178 BPM | ||
| All Too Soon | Ella Fitzgerald, Joe Pass | A♭ Major | 0 | 4B | 109 BPM | ||
| Shadow Waltz - Live | Joe Pass | G Major | 1 | 9B | 132 BPM | ||
| Midtown Scene | Ella Blue | G Major | 1 | 9B | 110 BPM | ||
| Soft Geometry | Croma Collective | G Major | 1 | 9B | 110 BPM | ||
| Tuscan Causeway | Blue Rectangles | C Major | 4 | 8B | 160 BPM | ||
| Conversation With A Baby | Abbey Lincoln | C Minor | 2 | 5A | 109 BPM | ||
| You Go to My Head | Lennie Tristano | C Minor | 5 | 5A | 145 BPM | ||
| Catch Me | Joe Pass | A Minor | 4 | 8A | 146 BPM | ||
| Called On Account Of Rain - Remastered 1992 | André Previn, Russ Freeman | F Minor | 0 | 4A | 105 BPM | ||
| You Don't Know What Love Is | Pat Martino | F Minor | 0 | 4A | 131 BPM |