"Mary's Lullaby - Bonus Track" by John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble had its release date on December 12, 2025. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble's "John Rutter: A Clare College Celebration (The Christmas Edition)" album is number 15 out of 22. On top of that, France appears to be the country where this track was created. In terms of popularity, Mary's Lullaby - Bonus Track is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mary's Lullaby - Bonus Track by John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holy Spirit Mass: Together in Hope | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | A Major | 3 | 11B | 66 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Choir of Merton College, Oxford, Emily Tann, Benjamin Nicholas | F Major | 0 | 7B | 80 BPM | ||
| Christ the Lord is Born Today, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 2 | 9B | 81 BPM | ||
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, John Rutter, Aurora Orchestra, The Cambridge Singers, Elin Manahan Thomas | D Major | 2 | 10B | 108 BPM | ||
| Requiem in D Minor, Op. 48: III. Sanctus | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Psalm 117 "O Praise the Lord, All Ye Heathen" | Peter Hurford, Ely Cathedral Choir, David Price, Paul Trepte | A Major | 1 | 11B | 131 BPM | ||
| O Lovely and Luminous House | Brent Wells, BYU Singers | E Major | 3 | 12B | 81 BPM | ||
| Ave Maria, Gratia Plena | Josu Elberdin, Reading Phoenix Choir, Christopher Hann | D Major | 0 | 10B | 78 BPM | ||
| While by My Sheep | The Choirs of Our Lady of Mount Carmel Church | A Minor | 3 | 8A | 126 BPM | ||
| Transfigurations: II. Photon | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 1 | 1B | 138 BPM | ||
| Requiem: III. Pie Jesu | John Rutter, Aurora Orchestra, The Cambridge Singers, Alice Halstead | F Major | 0 | 7B | 112 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| Requiem: Agnus Dei | John Rutter, Elin Manahan Thomas, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown | B♭ Major | 0 | 6B | 132 BPM | ||
| Lute-Book Lullaby | Alexander L'Estrange, Tenebrae, Nigel Short | D♭ Major | 1 | 3B | 70 BPM | ||
| Out of This Darkness: No. 5, Out of This Darkness | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | D Major | 2 | 10B | 134 BPM | ||
| Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | ||
| Ubi Caritas | Sjaella | B♭ Minor | 1 | 3A | 82 BPM | ||
| A Great Stone | Nico Muhly, Choir of Clare College, Cambridge, Graham Ross, Emily Coatsworth, Holly Sewell | A♭ Minor | 0 | 1A | 138 BPM | ||
| I Will Lift Mine Eyes | Jake Runestad, Kantorei, Joel Rinsema | F Major | 1 | 7B | 176 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| Willow Song | Traditional, The Cambridge Singers, John Rutter | B Major | 4 | 1B | 99 BPM | ||
| As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | ||
| Dixit Maria ad angelum | Hans Leo Hassler, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 143 BPM | ||
| I Thank You God for Most This Amazing Day | BYU Singers | C Major | 1 | 8B | 70 BPM |