Swedish Tunes & Dances: No. 5, Andante by Amanda Rontgen-Maier, Julius Röntgen, Gregory Maytan, Ann-Sofi Klingberg Song Details

"Swedish Tunes & Dances: No. 5, Andante" by Amanda Rontgen-Maier, Julius Röntgen, Gregory Maytan, Ann-Sofi Klingberg had its release date on June 15, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 69 in Amanda Maier: Complete Works by Amanda Rontgen-Maier, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Swedish Tunes & Dances: No. 5, Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Swedish Tunes & Dances: No. 5, Andante by Amanda Rontgen-Maier, Julius Röntgen, Gregory Maytan, Ann-Sofi Klingberg is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.

Music Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.471 dB
Acousticness: 94%
Danceability: 27%
Energy: 13%
Instrumentalness: 6%
Liveness: 9%
Loudness: 68%
Speechiness: 5%
Valence: 6%

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