"Shreemantyogi Raja Shivchatrapati" by Harsh-Vijay had its release date on October 14, 2021. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Shreemantyogi Raja Shivchatrapati's duration is considered a little bit shorter than the average duration of a typical track. Since Shreemantyogi Raja Shivchatrapati only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. The popularity of Shreemantyogi Raja Shivchatrapati is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shreemantyogi Raja Shivchatrapati by Harsh-Vijay having a BPM of 195 with a half-time of 98 BPM and a double-time of 390 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aarti Hi Tujala Ganraya | Laxman Gurav | G Major | 5 | 9B | 146 BPM | ||
| Pavankhind Theme | Devdutta Manisha Baji | E Minor | 3 | 9A | 181 BPM | ||
| Nesli G Bai Chandrakala | Bhagwan Lokre | E♭ Minor | 7 | 2A | 88 BPM | ||
| Ag Radhe Halu Halu Tu Chalna | Tanuja Shingole | F Minor | 9 | 4A | 84 BPM | ||
| Chandra Bhagechya Tiri | Prahlad Shinde | C Minor | 6 | 5A | 147 BPM | ||
| Chak Chak Sonyacha | Uttara Kelkar | B Minor | 6 | 10A | 142 BPM | ||
| Diwas Ase Ki | Shailesh Ranade | F Major | 4 | 7B | 90 BPM | ||
| Powada | Nandesh Umap | B♭ Minor | 6 | 3A | 96 BPM | ||
| Vinchu Chawla | Ajay-Atul, Akshay Taak, Ramanand Ugale | B Major | 8 | 1B | 123 BPM | ||
| He Assa Pahila - Trending Version | AV Prafullachandra, Jaydeep Vaidya, Rucha Bondre | D♭ Minor | 3 | 12A | 150 BPM | ||
| Manas Pooja | Bharat Balvalli | D Major | 8 | 10B | 95 BPM | ||
| He Ishwara Sarvana | Devaki Pandit | D Major | 5 | 10B | 120 BPM | ||
| Majhya Gabhari Majhi Pandhari | Aarti Anklikar Tikekar | G Major | 4 | 9B | 80 BPM | ||
| Bhavevin Bhakti (Haripath) - From "Sant Dnyaneshwaranchi Muktaai" | Avadhoot Gandhi, Srujan Kulkarni, Santsreshtha Shree Dnyaneshwar Maharaj | F Major | 4 | 7B | 72 BPM | ||
| Datta Namaacha Karuni Gajar | Mahesh Kale | C Major | 7 | 8B | 78 BPM | ||
| Malhari Pivala Jhala | Vijay Sartape | D♭ Major | 6 | 3B | 104 BPM | ||
| Avdut Chintan Gurudev Datta | Vicky Adsule | D♭ Minor | 7 | 12A | 130 BPM | ||
| Shala Marathi - From "Krantijyoti Vidyalay - Marathi Madhyam" | Harsh-Vijay, Ishwar Andhare, Rohit Jadhav | G Major | 5 | 9B | 125 BPM | ||
| Vithucha Gajar | Suhit Abhyankar, Rajeshwari Pawar, Onkarswarup Bagde, Saurabh Salunkhe | D♭ Major | 8 | 3B | 100 BPM | ||
| Bharajari Ga Pitambara - From "Shyamchi Aai" | Ashok Patki, Rucha Bondre, Pralhad Keshav Atre | B♭ Major | 7 | 6B | 101 BPM | ||
| Saazni | Shekhar Ravjiani | E Major | 4 | 12B | 85 BPM | ||
| Kolyana Postoy Saminder | Shahir Vitthal Umap | D Minor | 5 | 7A | 103 BPM | ||
| Vallav Re Nakhwa | Arpita Chakraborty | B♭ Major | 4 | 6B | 114 BPM | ||
| Shendur Lal Chadhayo Aarti | Manoj Mishra | E♭ Minor | 9 | 2A | 88 BPM | ||
| Ganpati Raya Padte Mi Paya | Shakuntala Jadhav | E♭ Minor | 7 | 2A | 74 BPM |