Let My Life Be Last's 'Deuteronomy 10:21' had a release date set for July 14, 2017. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. This song is part of We Are the Released by Let My Life Be Last. The song's track number on the album is #4 out of 9 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Deuteronomy 10:21's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Deuteronomy 10:21 by Let My Life Be Last has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Deuteronomy 10:21 being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Perfect Night for Flying | Anne Chmelewsky | D♭ Minor | 1 | 12A | 140 BPM | ||
| Kalyke | Enizzyo | A Minor | 2 | 8A | 66 BPM | ||
| Mount Horu Puzzle Rooms - Suite 1 | Gareth Coker | G Major | 2 | 9B | 100 BPM | ||
| Realize and Realign | Let My Life Be Last | E Minor | 3 | 9A | 81 BPM | ||
| A New Continent | Ludvig Forssell | E♭ Minor | 9 | 2A | 170 BPM | ||
| J50, Pt. 1 | Julien Verschooris | F♯ Minor | 0 | 11A | 65 BPM | ||
| Dagger One Is Hit / Time To Let Go | Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe | D Major | 4 | 10B | 107 BPM | ||
| Dantès rejoint Faria | Jérôme Rebotier | D Major | 2 | 10B | 81 BPM | ||
| Andor (Main Title Theme) - Episode 1 | Nicholas Britell | B Minor | 2 | 10A | 100 BPM | ||
| The Chamber of Exquisite Sadness | Steven Price | B Minor | 1 | 10A | 81 BPM | ||
| Leave You to It (Sleep Dearie Sleep) | Martin Phipps, The Chamber Orchestra Of London | D Minor | 0 | 7A | 75 BPM | ||
| Departure - Ending | August Wilhelmsson | G Minor | 2 | 6A | 140 BPM | ||
| Through the Mountains | ASKII | D Major | 2 | 10B | 70 BPM | ||
| Meet at the Beginning | Harry Gregson-Williams | C Minor | 2 | 5A | 68 BPM | ||
| Nuovo Vita | ford. | F Major | 0 | 7B | 131 BPM | ||
| 私から君へ | Yuki Hayashi | E♭ Major | 1 | 5B | 67 BPM | ||
| First Steps | Clinton Shorter | G Minor | 2 | 6A | 124 BPM | ||
| Ezio in Florence | Jesper Kyd, Assassin's Creed | D Major | 3 | 10B | 117 BPM | ||
| Unborn Millions To Come | Kyle Preston | C Minor | 1 | 5A | 69 BPM | ||
| I Can't Hear You | Rupert Gregson-Williams | E Minor | 1 | 9A | 136 BPM | ||
| The Fall of Reach | Halo, Tom Salta | B♭ Major | 1 | 6B | 74 BPM | ||
| God Rising | Ethan Gold | A♭ Minor | 2 | 1A | 134 BPM | ||
| A Royal Affair | Ruth Barrett | B♭ Minor | 2 | 3A | 117 BPM | ||
| Étude No. 8: Through the Window (C.B. Rework) | Marie Awadis, Scoring Berlin, Christian Badzura | E Minor | 2 | 9A | 132 BPM | ||
| Siege | Lisa Gerrard, Marcello De Francisci | F Major | 4 | 7B | 120 BPM |