Barth's 'In the Blue' had a release date set for 2003. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. In the Blue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Under the Trampoline". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, In the Blue is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With In the Blue by Barth having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swimming | Jack Spencer | D Major | 1 | 10B | 146 BPM | ||
| The Ballad of Tom Paris | Robert Earl Thomas | D♭ Major | 3 | 3B | 133 BPM | ||
| Weary Sailors | Nicolas Michaux | E Major | 4 | 12B | 124 BPM | ||
| Every Incident Has Left Its Mark | Flora Hibberd | E♭ Major | 5 | 5B | 85 BPM | ||
| Hope Dies Last | Luxury Skin | A Major | 2 | 11B | 110 BPM | ||
| Code | Flora Hibberd | E♭ Major | 5 | 5B | 85 BPM | ||
| Icarus | Raoul Vignal | A Major | 7 | 11B | 87 BPM | ||
| Cuchillo | Barth | E Minor | 6 | 9A | 111 BPM | ||
| Not Ready Yet | Zach Berro | E Minor | 7 | 9A | 160 BPM | ||
| Ils Disent | Orchestre Tout Puissant Marcel Duchamp | D♭ Minor | 7 | 12A | 106 BPM | ||
| Waiting List | Sielle | G Major | 3 | 9B | 112 BPM | ||
| Mères de Paris, Pt. 1 | Barth, Yoann Le Dantec | C Major | 1 | 8B | 120 BPM | ||
| The Game | Perio | D Major | 3 | 10B | 100 BPM | ||
| Just A Moon | Bill Fay | D Minor | 1 | 7A | 76 BPM | ||
| Duchess Lake | Santi Pulvirenti | A Major | 2 | 11B | 110 BPM | ||
| Les Eaux Troubles | Arthur Cavalier | B Minor | 6 | 10A | 86 BPM | ||
| Life Goes Through You | The Shift, Phoebe Killdeer, Ole Wulfers | D Minor | 4 | 7A | 89 BPM | ||
| Cold Damp Valley | Spencer Cullum, Sean Thompson's Weird Ears | D♭ Minor | 4 | 12A | 78 BPM | ||
| Running in the rain | Melissa Weikart | A♭ Major | 3 | 4B | 128 BPM | ||
| The Ballad | Danny Ayala | E♭ Major | 3 | 5B | 164 BPM | ||
| All My Days Are Hanging | Magon | C Major | 4 | 8B | 107 BPM | ||
| Handbrake Turns | Studio Electrophonique | E♭ Major | 7 | 5B | 127 BPM | ||
| Century Man | Raoul Vignal | D Major | 5 | 10B | 132 BPM | ||
| Honey Thunder | Waterfahl | F Major | 5 | 7B | 77 BPM | ||
| Pretty countdown | Barth | E Major | 3 | 12B | 169 BPM |