Kanhaiya Lal Sahani's ' "Coaching Ke Bahane Roj Mila Taru Pul Par" was released on its scheduled release date, December 1, 2019. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Coaching Ke Bahane Roj Mila Taru Pul Par's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Coaching Ke Bahane Roj Mila Taru Pul Par and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Coaching Ke Bahane Roj Mila Taru Pul Par's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Coaching Ke Bahane Roj Mila Taru Pul Par by Kanhaiya Lal Sahani is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nanhe Saman Tohar | Arvind Akela Kallu Ji, Nisha | D♭ Minor | 3 | 12A | 75 BPM | ||
| Tel Karua Laga Ke Maral Kara | Shailesh Premi, Aisha Raj | B Minor | 10 | 10A | 155 BPM | ||
| Godi Tor Patdi Kamriya | Parduman Pardeshi | A♭ Minor | 9 | 1A | 120 BPM | ||
| Hawe Maharajganj Jila Patraki | Shilpi Raj, Kanhaiya Lal Sahani | C Major | 9 | 8B | 124 BPM | ||
| 2 Hajara Debe Gori | Diwakar Dwivedi | A Major | 10 | 11B | 105 BPM | ||
| One Bhatra Tauto Ge Aene Yarwa Rotau Ge | Ahira Star Kundan Lal | A Major | 10 | 11B | 132 BPM | ||
| Oth Laliya Chat Gail | R.k Tiger, Pramod Smart | C Major | 10 | 8B | 145 BPM | ||
| Anmol Jawani | Vishal Yadav | G Minor | 10 | 6A | 130 BPM | ||
| Ratiya Me Feri Karwatiya | Mithu Marshal | D♭ Major | 8 | 3B | 95 BPM | ||
| Maharajganj Holi Khele Jali | Kanhaiya Lal Sahani, Anshika Chaubey | A♭ Minor | 9 | 1A | 120 BPM | ||
| Aankh Mare Babuni Dhansakka | Diwakar Dwivedi | B♭ Minor | 7 | 3A | 152 BPM | ||
| Saiya Ji Hamaar | Khesari Lal Yadav | F Minor | 10 | 4A | 120 BPM | ||
| Aawa Naya Saal Me Ghare Ghop Ghop Kare | Arjun Raja | B Minor | 10 | 10A | 140 BPM | ||
| Saheb Dedi Sui Phuli Ta Saiya Chui | Pradeshi Piya Yadav | F♯ Major | 10 | 2B | 156 BPM | ||
| Godi Ke Balakwa | Srishti Bharti | F Minor | 10 | 4A | 132 BPM | ||
| Dhodhi Dudh Ke Katori | Sunny Pandey, Shrishti Bharti | F♯ Minor | 10 | 11A | 174 BPM | ||
| Up Bihar Hile | Samar Singh, Shilpi Raj | E♭ Minor | 10 | 2A | 124 BPM | ||
| Othlali Re Maai | Rakesh Mishra, Goldy Yadav | A♭ Minor | 10 | 1A | 142 BPM | ||
| Kora Sutaila Na | Shilpi Raj, Sarvesh Singh | D♭ Major | 8 | 3B | 130 BPM | ||
| Samnave Ke Tur Dem | Mithu Marshal | B Minor | 10 | 10A | 150 BPM | ||
| Pagha Turabata Jawaniya | Khesari Lal Yadav, Priyanka Singh | F♯ Minor | 8 | 11A | 93 BPM | ||
| Udtani Raja Ke Dam Pe | Divyank Deva, Shilpi Raj | A Minor | 10 | 8A | 136 BPM | ||
| Locker Mein Jawani | Pawan Singh, Akshara Singh | C Major | 9 | 8B | 123 BPM | ||
| Chhaura Re Bhag Bhag | Aashish Yadav, Khushi Kakkar | A Major | 9 | 11B | 88 BPM | ||
| Dhan Setiyan me Detiya | Kanhaiya Lal Sahani | A♭ Minor | 10 | 1A | 145 BPM |