Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro's ''O marenariello' had a release date set for September 26, 2025. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Serenata a Napoli". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 'O marenariello's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 'O marenariello by Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
| Core 'ngrato (arr. G. Chiaramello) [Orch. G. Chiaramello] | Salvatore Cardillo, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | D♭ Major | 1 | 3B | 85 BPM | ||
| Otto e mezzo - Finale / Remastered 2026 | Nino Rota | G Major | 2 | 9B | 74 BPM | ||
| Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
| Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
| Donizetti: La favorite, Act 4: "Ange si pur" (Fernand) | Gaetano Donizetti, Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume | C Major | 0 | 8B | 87 BPM | ||
| Poulenc: Léocadia, FP 106: Les chemins de l'amour | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D♭ Major | 1 | 3B | 83 BPM | ||
| Qui la voce sua soave | Maria Callas | D♭ Major | 2 | 3B | 126 BPM | ||
| Vivaldi: Stabat Mater, RV 621: I. Stabat Mater dolorosa | Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | E Minor | 6 | 9A | 104 BPM | ||
| The Last Rose of Summer | Traditional, Samuel Mariño, Jonathan Ware | E Major | 0 | 12B | 66 BPM | ||
| Adagio in G Minor (Arr. for voice and orchestra) | Tomaso Albinoni, Remo Giazotto, Anonymous, Marina Rebeka, Modestas Pitrenas, Sinfonietta Riga | B Minor | 2 | 10A | 120 BPM | ||
| La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
| Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | G Major | 2 | 9B | 74 BPM | ||
| Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
| The Juniper Passion, Act II: Madonna | Michael F Williams, Pene Pati, Adrianna Lis, Gordon Richards, Brent Grapes, Douglas Cross, Lara Hall, Elena Abramova, Susan Bierre, James Tennant, Gordon Hill, Katherine Austin, Indra Hughes, Vadim Simongauz, Eric Renick, Rachael Griffiths-Hughes | A♭ Minor | 1 | 1A | 81 BPM | ||
| Nisi Dominus, RV 608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, Franco Fagioli, I Barocchisti, Diego Fasolis | F♯ Minor | 5 | 11A | 100 BPM | ||
| Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
| Rusalka: Song to the Moon | Antonín Dvořák, Olga Peretyatko, Miguel Gomez-Martinez | F♯ Major | 2 | 2B | 89 BPM | ||
| Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
| Rusalka, Op. 114, Act I: Song to the Moon | Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| Cello Concerto No. 2 in D Major, Hob. VIIb: II. Adagio | Joseph Haydn, Alisa Weilerstein, TrondheimSolistene | G Major | 0 | 9B | 70 BPM | ||
| Orfeo ed Euridice, Act III: Che farò senza Euridice? (Arr. Pluhar) | Christoph Willibald Gluck, Rolando Villazón, L'Arpeggiata, Christina Pluhar | D Major | 2 | 10B | 170 BPM | ||
| Hymne à l'amour | Marguerite Angèle Monnot, Samuel Mariño, Jonathan Ware | B♭ Major | 0 | 6B | 139 BPM | ||
| Rossini: Petite messe solennelle: II. Christie eleison | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 0 | 11B | 97 BPM |