Fr. Bill Quinlivan's ' "Ordination Day" was released on its scheduled release date, October 31, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Fr. Bill Quinlivan's "I Call You Brothers" album is number 1 out of 14. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Ordination Day's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ordination Day by Fr. Bill Quinlivan to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Children of the Heavenly Father | Glenn and Lisa Ginn | C Major | 1 | 8B | 110 BPM | ||
| When You Were Sweet Sixteen | The Celtic Tenors | D Major | 2 | 10B | 130 BPM | ||
| Lullabye (Goodnight, My Angel) | Andreas Scholl, Tamar Halperin | E♭ Major | 1 | 5B | 82 BPM | ||
| We'll Bring the World His Truth | Afterglow | E♭ Major | 3 | 5B | 135 BPM | ||
| We Shall Overcome | Peter, Paul and Mary | A Major | 3 | 11B | 136 BPM | ||
| What Did You See from Your Manger? | Fr. Bill Quinlivan | D Major | 4 | 10B | 127 BPM | ||
| Stand Next to Me | Ceállach Reid | B Major | 1 | 1B | 110 BPM | ||
| Tiny Notes | The Young'uns | C Major | 1 | 8B | 83 BPM | ||
| To Be In Your Presence (This Is My Desire) | Noel Richards | D Major | 1 | 10B | 149 BPM | ||
| Hollow Lanterns O' Westminster | Ekofola | E♭ Minor | 1 | 2A | 119 BPM | ||
| Save Us, O Lord | St. Louis Jesuits, Bob Dufford | D Major | 2 | 10B | 152 BPM | ||
| Litany of Divine Mercy | Fr. Bill Quinlivan | B Major | 1 | 1B | 150 BPM | ||
| Green Fields Of France | Celtic Thunder | E Major | 5 | 12B | 114 BPM | ||
| Daydreams and Daisies | Russell Balfour | A♭ Major | 1 | 4B | 140 BPM | ||
| My Savior and My King | Carmelite Sisters of the Most Sacred Heart of Los Angeles | D♭ Major | 5 | 3B | 90 BPM | ||
| Fields Of Plenty/Be Still My Soul | Amy Grant | G Major | 1 | 9B | 171 BPM | ||
| Somewhere In My Memory | One Voice Children's Choir | D Major | 2 | 10B | 78 BPM | ||
| Through All My Days | Don Francisco | C Major | 3 | 8B | 110 BPM | ||
| Lift Up Your Eyes | Angela Mahon | A♭ Major | 3 | 4B | 144 BPM | ||
| Beyond the Days | Ricky Manalo, CSP | F Major | 2 | 7B | 84 BPM | ||
| O Thou, In Whose Presence | Fernando Ortega | D♭ Major | 0 | 3B | 72 BPM | ||
| Hark the Harold | Al Walsh | G Major | 1 | 9B | 95 BPM | ||
| I Heard Him Come | Afterglow | C Major | 2 | 8B | 127 BPM | ||
| That Lonesome Road | James Taylor | A Major | 1 | 11B | 83 BPM | ||
| Mama's Arms | Ronan Keating | D Major | 2 | 10B | 128 BPM |