Rita Reys's ' "There Will Never Be Another You" was released on its scheduled release date, April 6, 2015. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. There Will Never Be Another You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "The Cool Voice of Rita Reys". In this album, this song's track order is #10. In terms of popularity, There Will Never Be Another You is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With There Will Never Be Another You by Rita Reys having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brushwork Serenade | Polaroid Sessions | G Minor | 3 | 6A | 106 BPM | ||
| Taproom Prelude | uuunderwater | G Major | 1 | 9B | 75 BPM | ||
| Sweet Baby Girl | Soesja Citroen | D♭ Major | 1 | 3B | 176 BPM | ||
| Angel Flying Too Close to the Ground | Jami Templeton | G Minor | 2 | 6A | 92 BPM | ||
| In The Wee Small Hours Of The Morning | Ann Burton, Louis Van Dijk, Piet Noordijk | F Major | 1 | 7B | 110 BPM | ||
| Take A Giant Step | Kat Ellis Ensemble | B♭ Minor | 2 | 3A | 123 BPM | ||
| Side by Side | Manhattazz | E♭ Major | 3 | 5B | 110 BPM | ||
| Once Again | Rita Reys | D Minor | 2 | 7A | 94 BPM | ||
| Champagne at Noon | Evening Jazz Radio | D Major | 3 | 10B | 125 BPM | ||
| Teal Rotunda | marss ala | E♭ Major | 2 | 5B | 77 BPM | ||
| Love Walked In | Rita Reys | B♭ Major | 2 | 6B | 107 BPM | ||
| The Boy From Ipanema | Rita Reys, Pim Jacobs Trio | C Major | 3 | 8B | 97 BPM | ||
| Auutumn Leaves | Austyn Ziemann | A Major | 2 | 11B | 94 BPM | ||
| Apse in Quartz | walkin around jazz | E♭ Major | 2 | 5B | 75 BPM | ||
| The Windmills of Your Mind (Les Moulins De Mon Coeur) | Rita Reys | D♭ Minor | 2 | 12A | 84 BPM | ||
| Gramophone Coda | Crying Mirror | G Major | 3 | 9B | 79 BPM | ||
| Theatre Lobby | The Pastel Hour | E♭ Major | 3 | 5B | 76 BPM | ||
| Come Fly With Me | Pim Jacobs Trio | C Major | 3 | 8B | 119 BPM | ||
| Cerulean Salon | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| Jukebox Scene | Crying Mirror | F♯ Minor | 2 | 11A | 77 BPM | ||
| Start our romance | Edwige Morgen, Laurent De Wilde | F Minor | 3 | 4A | 87 BPM | ||
| Fireplace Mantel | Fireside Jazz | G Minor | 1 | 6A | 61 BPM | ||
| Moonlight Two-Step | Murmur Haven | F Major | 4 | 7B | 148 BPM | ||
| Peace (Gnossienne No. 2) | Tessa Souter | F♯ Minor | 2 | 11A | 150 BPM | ||
| Watch What Happens | Morgana King | E Minor | 2 | 9A | 210 BPM |