Amlesh Ashik, Sapna Raj's ' "Chilgam Khiya Ke Let Rahe Chumma" was released on its scheduled release date, October 8, 2025. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Chilgam Khiya Ke Let Rahe Chumma and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Chilgam Khiya Ke Let Rahe Chumma's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Chilgam Khiya Ke Let Rahe Chumma by Amlesh Ashik, Sapna Raj is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tunak Tunak Tun Tunna Pithi Fair Debo Re Muna | Krishna Bedardi | G Minor | 10 | 6A | 120 BPM | ||
| Okara Dhodi Pasand Hamara Khira | Vicky Raj | E♭ Minor | 10 | 2A | 156 BPM | ||
| Colgate Chua Ke Saiya | Amit Patel | A♭ Major | 10 | 4B | 160 BPM | ||
| Safai Abhiyan Bhauji | Bullet Raja | D♭ Major | 10 | 3B | 135 BPM | ||
| Kushwaha Ji Likhawala Odhaniya pa | SHIVAM SINGH, Sapna Raj | F♯ Minor | 9 | 11A | 118 BPM | ||
| Dj Wala Patiya ke Toyar Delkai Nathiya Ke | Jilajeet Yadav, Suman Sona | B Minor | 10 | 10A | 150 BPM | ||
| Chinta Na Kara Ye Sajan | Amlesh Ashik | A Minor | 9 | 8A | 160 BPM | ||
| DJ Wala Chaura I Love You | Anil Yadav | A♭ Major | 10 | 4B | 135 BPM | ||
| KOi Aur Mil Gelo | Banshidhar Chaudhari | D Major | 9 | 10B | 112 BPM | ||
| Jhukne Nahi Denge | Bullet Raja, Neha Raj | D♭ Major | 10 | 3B | 135 BPM | ||
| Jada Me Bhatar Ghare Aawat Naikhe | Bullet Raja, Srishti Bharti | D Major | 10 | 10B | 150 BPM | ||
| Chhiyai Ham Ganjeri Apan Man Ke Chhiyai Raja Ge | Krishna Bedardi, Dharm Music | F♯ Minor | 10 | 11A | 155 BPM | ||
| Holiya Me Devara Kahta Bhauji Ghop Ghop | Arjun Raja | D♭ Major | 10 | 3B | 135 BPM | ||
| Bhul Gelhi Naya Sal Me | Amlesh Ashik | D♭ Major | 10 | 3B | 135 BPM | ||
| Dhodi Me Doodh Roti Khaiba Jannat Me Jaiba | Amlesh Ashik | C Major | 10 | 8B | 145 BPM | ||
| Mara Dhori Ke Niche Raja Biche Biche | Ankit Akela | A Major | 10 | 11B | 140 BPM | ||
| Kora Lela Ta Ajora Lela | Ritesh Rinch, Sapna Raj | D Major | 10 | 10B | 149 BPM | ||
| Chumma Debu Ka | Ankit Pathak, Vineeta Pandey | D♭ Minor | 9 | 12A | 126 BPM | ||
| Maja Jannat Ke Mili | Pramod Premi Yadav, Alka Jha | D♭ Minor | 10 | 12A | 145 BPM | ||
| Tange Tange | Amlesh Ashik | A Minor | 10 | 8A | 76 BPM | ||
| Kotwa Par Se Debau Flying Kiss Re | Bansidhar Chaudhary, Sonam Yadav | A Major | 10 | 11B | 85 BPM | ||
| Chiyar Ke Dal Eyar | Ritesh Lal Yadav, Pratima Arya | A♭ Minor | 10 | 1A | 156 BPM | ||
| Bhaujiyo Ke Paar Lagaiba Ka | Neha Raj, Ankit Agrawal | C Minor | 10 | 5A | 140 BPM | ||
| Maja Leke Ho Jayib Farar Ho | Shiv Kumar Shera, Sapna Raj | G Major | 10 | 9B | 135 BPM | ||
| Pyar | Sanjay Pandey, Neha Raj | B♭ Minor | 10 | 3A | 140 BPM |