Maestro Duda e Sua Orquestra's ' "Bate-Bate-Com-Doce" was released on its scheduled release date, 1980. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Bate-Bate-Com-Doce's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Olinda Carnaval". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. Based on our statistics, Bate-Bate-Com-Doce's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Bate-Bate-Com-Doce by Maestro Duda e Sua Orquestra having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frevo do Galo | Amelinha | G Minor | 5 | 6A | 97 BPM | ||
| Arrepia, Aprendizes | Rio Carnaval Mirim, G.R.C.E.S.M. APRENDIZES DO SALGUEIRO, Duda de Deus, Miguel Lemos | D♭ Minor | 7 | 12A | 120 BPM | ||
| Quadrilhão do Guajará | Arraial Do Pavulagem | D♭ Minor | 7 | 12A | 170 BPM | ||
| Criação do Mundo Na Tradição Nagô | Neguinho Da Beija Flor | B Minor | 8 | 10A | 131 BPM | ||
| Enraizados | Nação do Maracatu Encanto do Dendê, Junior Viana | E♭ Minor | 8 | 2A | 115 BPM | ||
| Meu Bem Querer | Na Banguela, Galvão Frade, Lia Marques, Renata Marques | A Minor | 5 | 8A | 117 BPM | ||
| 100 Anos De Liberdade, Realidade Ou Ilusão? | Jamelão | D♭ Major | 9 | 3B | 141 BPM | ||
| Hoje Tem Galo | Galo da Madrugada, Nando Cordel | B♭ Major | 7 | 6B | 104 BPM | ||
| Música, Mulheres e Flores | Maestro Duda e Sua Orquestra | A Minor | 5 | 8A | 133 BPM | ||
| Evocação N° 1 | Bloco da Saudade | E Minor | 5 | 9A | 115 BPM | ||
| Mamãe Eu Quero Ser, Papai Não Deixa | Alfredo del Penho | E Minor | 7 | 9A | 150 BPM | ||
| Frevando Em Bomba do Hemetério | Orquestra Popular da Bomba do Hemetério | G Minor | 8 | 6A | 147 BPM | ||
| Trombone de Prata | Reginaldo Pessoa | E♭ Major | 6 | 5B | 150 BPM | ||
| Cometa Mambembe | Orquestra de Frevo do Babá, Alexandre Urea | C Minor | 5 | 5A | 150 BPM | ||
| Allah-La-Ô / Tomara Que Chova | Juliana Diniz | G Major | 7 | 9B | 150 BPM | ||
| Olinda Nº 1 | Maestro Duda e Sua Orquestra | C Major | 5 | 8B | 137 BPM | ||
| Estrambelhados | Estrambelhados | D Major | 8 | 10B | 107 BPM | ||
| Arrea a Lenha - Ao Vivo | Marron Brasileiro | G Major | 9 | 9B | 122 BPM | ||
| Me Segura Que Senão Eu Caio | Quinteto Violado | D Major | 7 | 10B | 80 BPM | ||
| Blocos de Olinda | Almir Rouche | D♭ Minor | 7 | 12A | 78 BPM | ||
| Madeira Que Cupim Não Rói / Último Regresso / Evocação No. 1 / Valores do Passado / Frevo No. 3 | Nena Queiroga | C Major | 4 | 8B | 131 BPM | ||
| Batalhão das Estrelas | Arraial Do Pavulagem | F Major | 4 | 7B | 90 BPM | ||
| Voltei Recife 22 | Almir Rouche | F Major | 8 | 7B | 150 BPM | ||
| Energia / Massa Real / Sedução | Nena Queiroga | A Major | 8 | 11B | 160 BPM | ||
| Furrundú | Pescuma | C Major | 9 | 8B | 142 BPM |