"High Timberline" by Red Eye Junction had its release date on April 3, 2018. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Red Eye Junction's "Meat and Bones" album is number 4 out of 5. On top of that, United States appears to be the country where this track was created. High Timberline is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of High Timberline by Red Eye Junction to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Buzzards Won't Cry | William Elliott Whitmore | A Major | 4 | 11B | 99 BPM | ||
| Liars And Killers | Michael Waters | B♭ Major | 5 | 6B | 75 BPM | ||
| Never Coming Here Again | Gill Landry | B Minor | 5 | 10A | 105 BPM | ||
| Brightest Star | Red Eye Junction | B♭ Minor | 4 | 3A | 90 BPM | ||
| Old devils | William Elliott Whitmore | A Minor | 5 | 8A | 102 BPM | ||
| Lonesome 77203 | Billy Don Burns | A Minor | 6 | 8A | 154 BPM | ||
| Distant Memory Lane | Fifth On The Floor | C Minor | 6 | 5A | 129 BPM | ||
| Black Iowa Dirt | William Elliott Whitmore | A Minor | 8 | 8A | 133 BPM | ||
| It Was a Train | Otis Gibbs | B Minor | 5 | 10A | 104 BPM | ||
| Wayfarin Stranger | Strawfoot | D Minor | 5 | 7A | 114 BPM | ||
| The Streets | Red Eye Junction | B♭ Minor | 4 | 3A | 90 BPM | ||
| If You Want Me Let Me Know | Dan C. Roth | C Major | 8 | 8B | 78 BPM | ||
| Souls Gone Bad | Damn'd Sam & The Preachers | A♭ Major | 3 | 4B | 144 BPM | ||
| Runnin' Hidin' | The Weary Boys | G Major | 7 | 9B | 139 BPM | ||
| 5 In The Morning | Bob Wayne | C Major | 1 | 8B | 120 BPM | ||
| Funny Thing About Heroes | Angry Johnny and the Killbillies | A Minor | 5 | 8A | 98 BPM | ||
| Wreck Of The Old '97 | Hank Williams III | E Major | 6 | 12B | 143 BPM | ||
| O.D.'d in Denver | Railbenders | D Major | 3 | 10B | 170 BPM | ||
| Bones | The Good Luck Thrift Store Outfit | G Major | 9 | 9B | 107 BPM | ||
| New Old Story | Bastard Sons of Johnny Cash | F Major | 9 | 7B | 98 BPM | ||
| Trouble | Red Eye Junction | A Minor | 9 | 8A | 119 BPM | ||
| Pray I Won't Wake Up | Honky Tonk Hustlas | E Major | 6 | 12B | 135 BPM | ||
| Crooked Smile | Jayke Orvis and the Broken Band | D Minor | 6 | 7A | 117 BPM | ||
| The Time Has Come | Red Eye Junction | D♭ Major | 7 | 3B | 72 BPM | ||
| Same To Me | Pat Reedy | G Major | 6 | 9B | 158 BPM |