Raghavendra Acharya Jansale's ' "Bhalire Bhalire" was released on its scheduled release date, March 5, 2022. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Raghava Raga Sanchara, Vol. 1". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Bhalire Bhalire is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Bhalire Bhalire by Raghavendra Acharya Jansale having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jayajaya Sriraghvendra | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | F♯ Minor | 5 | 11A | 141 BPM | ||
| Gandu Magana Yaka Hadadi | Ratnamala Prakash | G Major | 8 | 9B | 110 BPM | ||
| Sathya Sathvika | Surekha, Shamitha | D Minor | 6 | 7A | 82 BPM | ||
| Baaro Manake | Sri Vidyabhushana | G Major | 6 | 9B | 88 BPM | ||
| Guruvaara Bandiruve | Puttur Narasimha Nayak | A♭ Minor | 7 | 1A | 105 BPM | ||
| Arey Ghaligeyu Ninna | Vidyabhushana, H. L. Sheshachandra | F Major | 6 | 7B | 108 BPM | ||
| Brindavanadi Chandadi Gururaya | Ajay Warriar | G Major | 7 | 9B | 94 BPM | ||
| Ane Banthane | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Namah Parvathi Pathaye Hara Hara | Dappu Srinu | F Major | 7 | 7B | 132 BPM | ||
| Laali Adida Ranga | Sri Vdyabhushan Teertha Swamiji | G Major | 5 | 9B | 126 BPM | ||
| Nodideya Vidura | Raghavendra Acharya Jansale | E Minor | 3 | 9A | 78 BPM | ||
| O Enabarade | Sri Vidyabhushana | G Major | 5 | 9B | 180 BPM | ||
| Namipe Ganapane | Chandrika Gururaj | G Minor | 3 | 6A | 88 BPM | ||
| Ananda Ananda | Manjula Prakash, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Jayatu Jaya Jaya | Surekha | F Major | 5 | 7B | 171 BPM | ||
| Sri Banashankari Suprabhatha | Bangalore Sisters, Narsihma Nayak, Vijay Aras, Purushotham, Anuradha Bhat | D Minor | 6 | 7A | 85 BPM | ||
| Ow How Ow How Endhu | milidhane Dinesh, David-Dinesh-Manuel | A Minor | 7 | 8A | 90 BPM | ||
| Arithavanu Neenu | Rajkumar | F Minor | 6 | 4A | 144 BPM | ||
| Baare Gopamma | Suma Shastri,V.Nagendra Prasad | G Major | 6 | 9B | 174 BPM | ||
| MUCCHIBIDU MANASINA | Ravindra Nayak Sannakkibettu, Raghavendra Beejadi | F♯ Minor | 8 | 11A | 125 BPM | ||
| Akka Kelavva | Dhruti B Athreyas, Bharat Jain | F♯ Minor | 8 | 11A | 94 BPM | ||
| Chendulli Cheluve | Gopi | E Minor | 7 | 9A | 109 BPM | ||
| Anudina Bhavabdhi | Vijay Krishna. D | D Major | 4 | 10B | 150 BPM | ||
| Karunaalu Shiradi Sainatha | B. R. Chaya | G Major | 6 | 9B | 178 BPM | ||
| Dayamade Bhramarambike | Vidyabhushana | C Major | 6 | 8B | 96 BPM |