"Let’s Go Home" by Stephen Barton, Frederik Wiedmann had its release date on April 20, 2023. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 45 in the song's album "Star Trek: Picard, Season 3 (Original Series Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, Let’s Go Home's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Let’s Go Home by Stephen Barton, Frederik Wiedmann having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Answering The Call | Adam Burgess | B♭ Minor | 7 | 3A | 93 BPM | ||
| Arkham Knight (Main Theme) | David Buckley | C Minor | 3 | 5A | 111 BPM | ||
| Manhattan Assault | Brian Tyler | D Major | 8 | 10B | 87 BPM | ||
| Nar Shaddaa | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Victory | Neal Acree, Derek Duke, Overwatch | B♭ Major | 5 | 6B | 140 BPM | ||
| An Ocean of Doom | Nicolas de Ferran | F Major | 5 | 7B | 95 BPM | ||
| Darkest Hour | Jason Solowsky | D Minor | 4 | 7A | 100 BPM | ||
| The Right Side of History | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Severance Combat | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| The Knights' Theme (From "The Order: 1886" Video Game Soundtrack) | Jason Graves | F Major | 2 | 7B | 84 BPM | ||
| I Will Do What I Must | William Ross | B♭ Minor | 1 | 3A | 80 BPM | ||
| London Suite In C Major | Junkie XL | F Major | 6 | 7B | 86 BPM | ||
| Stellar Bay | Justin E. Bell | A Minor | 2 | 8A | 81 BPM | ||
| Assassins | Christopher Drake | D Major | 6 | 10B | 140 BPM | ||
| No Lag | Danny Cocke, Paul Haslinger | D Major | 5 | 10B | 140 BPM | ||
| Lift Off | Simon Chylinski | C Major | 4 | 8B | 120 BPM | ||
| Armored Prayer | Steve Jablonsky, Gears of War | E Minor | 6 | 9A | 175 BPM | ||
| Citadel Station | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Emerald Vale | Justin E. Bell | A♭ Major | 2 | 4B | 102 BPM | ||
| Neon Dawn | Jon Opstad, Paul Haslinger | B♭ Minor | 5 | 3A | 175 BPM | ||
| The Spear of Adun | Jason Hayes, Mike Patti, StarCraft, Blizzard Entertainment | F Minor | 2 | 4A | 110 BPM | ||
| The Fate of Tsushima | Ilan Eshkeri | A♭ Major | 7 | 4B | 120 BPM | ||
| The Imperial Suite | Michael Giacchino | F Minor | 4 | 4A | 87 BPM | ||
| Feydrid's Ghost | J.D. Spears | E Major | 1 | 12B | 86 BPM | ||
| The Setup | Greg Edmonson | D Major | 2 | 10B | 82 BPM |