"J. G. Rheinberger: Abendlied" by Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn had its release date on December 1, 2002. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Vox Bona - Kammerchor der Kreuzkirche Bonn, Karin Freist-Wissing's "Moon - Night - Dream: Choral Music of the 19th & 20th Centuries" album is number 15 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, J. G. Rheinberger: Abendlied's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of J. G. Rheinberger: Abendlied by Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
| Salvation is Created | Pavel Chesnokov, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | D Major | 1 | 10B | 108 BPM | ||
| Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
| Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | ||
| Elgar: Ave Verum Corpus | Edward Elgar, Choir of New College, Oxford, Edward Higginbottom | G Major | 2 | 9B | 172 BPM | ||
| When the Earth Stands Still | Don MacDonald, Lyyra | B♭ Major | 3 | 6B | 135 BPM | ||
| Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen, Herr Zebaoth | Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
| Seek Him That Maketh The Seven Stars | Jonathan Dove, The Choir of Magdalen College, Oxford, Edward Byrne, Mark Williams | C Major | 2 | 8B | 128 BPM | ||
| Abendlied | Luk. 24, 19, Josef Rheinberger, Det Unge VokalEnsemble | F Major | 2 | 7B | 70 BPM | ||
| Ave verum corpus, T. 92 | William Byrd, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 87 BPM | ||
| Son of God Mass: Agnus Dei | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | G Minor | 0 | 6A | 144 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: VI. Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 85 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
| Adoramus Te, Christe | The Wartburg Choir, Dr. Lee Nelson | E Major | 0 | 12B | 131 BPM | ||
| Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
| Psalm 91, MWV B. 53 "Denn er hat seinen Engeln befohlen" | Felix Mendelssohn, Windsbacher Knabenchor, Karl-Friedrich Beringer | C Minor | 0 | 5A | 170 BPM | ||
| Stabat mater: Ave verum corpus | Karl Jenkins, Polyphony, Stephen Layton | B Major | 1 | 1B | 128 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Come In And Stay A While | Chorus Lin & Anna-Carin Strand | D♭ Major | 1 | 3B | 116 BPM | ||
| Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 133 BPM | ||
| If Ye Love Me | Thomas Tallis, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Magnificat (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 97 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | F♯ Minor | 0 | 11A | 88 BPM | ||
| Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM |