"Easy Come, Easy Go" by Helen Merrill had its release date on January 1, 1957. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Helen Merrill's "Merrill At Midnight" album is number 9 out of 11. In terms of popularity, Easy Come, Easy Go is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Easy Come, Easy Go by Helen Merrill to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| I Hadn't Anyone Till You | Mose Allison | D Minor | 1 | 7A | 52 BPM | ||
| I Could Write A Book | Dinah Washington | D Minor | 3 | 7A | 129 BPM | ||
| Violets For Your Furs | Jutta Hipp, Zoot Sims | E♭ Major | 1 | 5B | 67 BPM | ||
| I Love Being Here With You | Ernestine Anderson | D♭ Major | 2 | 3B | 123 BPM | ||
| The Nearness of You | Nancy Wilson | D♭ Major | 0 | 3B | 111 BPM | ||
| The Man That Got Away | Jane Monheit | B♭ Major | 2 | 6B | 78 BPM | ||
| Lucky To Be Me / Some Other Time | Irene Kral | D Major | 0 | 10B | 172 BPM | ||
| Moody's Mood for Love | King Pleasure | A Minor | 2 | 8A | 105 BPM | ||
| I'm Through With Love | Arthur Prysock | E♭ Major | 0 | 5B | 112 BPM | ||
| Undecided | Beverly Kenney | C Major | 3 | 8B | 174 BPM | ||
| Bye Bye Blackbird | Etta Jones | C Minor | 3 | 5A | 126 BPM | ||
| Fantastic, That's You | Earl Hines | C Major | 1 | 8B | 68 BPM | ||
| The Man I Love | Etta James | F Minor | 2 | 4A | 204 BPM | ||
| The Way You Look Tonight | Cassandra Wilson | E♭ Major | 2 | 5B | 95 BPM | ||
| The Look of Love (From "Casino Royale") | Morgana King | D Minor | 3 | 7A | 108 BPM | ||
| Stars Fell On Alabama | Lizz Wright | D Major | 2 | 10B | 90 BPM | ||
| Make Someone Happy (From "Do Re Mi") | Margaret Whiting | B Minor | 3 | 10A | 129 BPM | ||
| Tea for Two - Bonus Track | Beverly Kenney, Tony Tamburello | B♭ Minor | 0 | 3A | 132 BPM | ||
| We'll Be Together Again | Anita O'Day, Oscar Peterson Quartet | G Major | 1 | 9B | 117 BPM | ||
| 'Deed I Do | Blossom Dearie | G Major | 2 | 9B | 134 BPM | ||
| Lullaby Of Birdland | Sarah Vaughan | B Minor | 4 | 10A | 123 BPM | ||
| My One And Only Love | Lorez Alexandria | F Minor | 0 | 4A | 93 BPM | ||
| Farmer's Market | Annie Ross | A♭ Major | 4 | 4B | 89 BPM | ||
| Any Time, Any Day, Anywhere | Lee Wiley | D Major | 5 | 10B | 153 BPM |